Painting

Painting

Vignette: Jill Baker

"Grand Canal" by Jill Baker, 30x12in, oil, $2000 | BUY NOW

"Grand Canal" by Jill Baker, 30x12in, oil, $2000 | BUY NOW

Jill Baker working on her painting "Lady In Waiting" (2016)

Jill Baker working on her painting "Lady In Waiting" (2016)

When one tries to imagine the ideal life of an artist, you might do worse than use Jill Baker’s experience as an example. Encouraged at the earliest age to make art, most notably by her artist grandmother, she majored in Fine Art in undergraduate studies at Baylor University. She traveled extensively and lived in Spain, Italy and South Korea. “In Spain I studied the masterpieces at the Prado. In Florence, Italy I painted under the masters at the Academia di Belle Arti. My work was in a major U.S. Exhibition in Paris and in Italy I was chosen for a one-person show at the prestigious Palazzo Strozzi in Florence. In Seoul, South Korea, I became an Artist In Resident and took advantage of the opportunity to create a major exhibition for the U.S. Information Services, exhibiting in the old American Embassy. I also was taken by the USIS to tour South Korean artists and universities, to lecture and lead workshops.”

For many people, that might have been enough, but Baker moved to New York City, where she exhibited, including two solos shows, before earning her MFA in Painting from Pratt Institute in NYC in 1981. Since then she has exhibited at galleries in major cities and galleries of the states of New York, California, Kentucky, Florida, Texas, New Mexico, and is in the permanent collections of the Museum of Arts and Sciences in Evansville, Purdue University, and other institutions.

"Arizona" by Jill Baker, 60x43in, oil, collage, $5000 | BUY NOW

"Arizona" by Jill Baker, 60x43in, oil, collage, $5000 | BUY NOW

"Gondolas in the Snow" by Jill Baker, 16x30in, oil, $5000 | BUY NOW

"Gondolas in the Snow" by Jill Baker, 16x30in, oil, $5000 | BUY NOW

As is common with many full-time artists, Baker works on several pieces simultaneously, expressing herself in different styles. She describes her surreal collages, such as “Arizona,” as her most popular work. The upending of recognizable physical reality accomplished through the impossible juxtaposition of conflicting landscapes is compelling; a seamless merging that illustrates Baker’s great facility with medium. 

“I have sought to be true to my strengths and have resisted other occupations and callings to become and remain a visual artist. I know it is a gift I have been given and in developing it, have tried to bring new and innovative visions to it.”

In 2011-12, Baker was a Visiting Professor of Art History at the University of Evansville, Evansville, IN, and since 2009 she has been Adjunct Professor, University of Southern Indiana, Department of Art, also in Evansville. In November 2016 she exhibited at Cook Studio and Gallery with Andy Cook and Debbie Welsh.

Baker is currently listed in Who's Who in the East, Who's Who in America, Who's Who in Society, Who's Who in American Art, American Art Directory and Marquis Who's Who of American Women, in Community Leaders of America, Female Artists in the United States: a Research and Resource Guide, Fantastic Art and Artists Directory and the yearly listing in ArtNews.

"Madonna" by Jill Baker, 3x5in, blockprint, $200 | BUY NOW

"Madonna" by Jill Baker, 3x5in, blockprint, $200 | BUY NOW

Public Collections
Evansville Museum of Arts and Sciences, Evansville, IN
Goethe House, German Cultural Institute, New York, NY
Krannert Art Series, Purdue University, W.Lafayette IN
Bellarmine College, Merton Collection, Louisville, KY
St. Marks Priory, Fine Arts Collection, South Union, KY.
Alexander & Alexander, Inc., Omaha, Nebraska
Church of St. Thomas Aquinas, Bowling Green, KY
College of Education, Western Kentucky U., Bowling Green, KY

Selected Private Collections
Herman Rath Collection, Houston, Texas
Barton Simons Collection, Los Angeles, California
L. H. Dishman Collection, Washington, DC
Norman Wexler Collection, New York, New York
Dr. Lawrence Balter Collection, New York, New York
Wayne Kline Collection, Studio City, CA
Paul Nonte Collection, Jasper, IN

Hometown: Louisville, Kentucky
Age: 74
Education: BA in Fine Arts, Baylor University (Waco, Texas); studied at the Academia di Belle Arti (Florence, Italy); MFA in Painting, Pratt Institute (New York City)
Gallery Representative: Manhattan Arts (New York City); Contemporary Arts Gallery (New Harmony, Indiana)
Website: http://www.jillbaker.com

"Sotto Porto" by Jill Baker, 24x36in, oil, NFS

"Sotto Porto" by Jill Baker, 24x36in, oil, NFS

"Goddess" by Jill Baker, 18x10in, monotype collage, $500 | BUY NOW

"Goddess" by Jill Baker, 18x10in, monotype collage, $500 | BUY NOW

"Seated on Rug" by Jill Baker, 36x48in, oil, $5000 | BUY NOW

"Seated on Rug" by Jill Baker, 36x48in, oil, $5000 | BUY NOW

Jill Baker working on her painting "Summer Sidewalk In Paris"

Jill Baker working on her painting "Summer Sidewalk In Paris"

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Written by Keith Waits. Entire contents copyright © 2016 Louisville Visual Art. All rights reserved.

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Painting, Mixed Media

Feature: Keeping It Weird For The Holidays

Revelry Gallery located at 742 E Market Street, Louisville, KY 40202

Revelry Gallery located at 742 E Market Street, Louisville, KY 40202

“Buy Local” has become a rallying cry in American communities in the last several years, and with good reason. As outlined by the Louisville Independent Business Alliance (LIBA), the impact on local economy is obvious, but that impact extends to environmental and philanthropic ideals that are equally important. Businesses that market the work of local artists may not be the first local business that comes to mind, but Revelry Boutique Gallery exemplifies the points in the LIBA checklist. All of its products are Kentucky-made, its gallery space has become a spotlight location for local artists, and the owner, Mo McKnight Howe, has emerged as a community leader who works tirelessly in support of cultural non-profits (full disclosure: Ms. Howe serves on the board of Louisville Visual Art). As the intense holiday shopping season is now upon us, it is important to take note of the range of local creations available. Three Revelry artists provide examples of the range of unique gifts available.

"Scenes Of The Seasons" by Kevin Oechsli, Mini Paintings, Acrylic on Wood (2016), $30 Each

"Scenes Of The Seasons" by Kevin Oechsli, Mini Paintings, Acrylic on Wood (2016), $30 Each

Kevin Oechsli

For a holiday founded on the most sacred of events in Christianity, Christmas has become surprisingly characterized by lightness and humor. The debate that the holiday has become overwhelmed by materialism has continued for decades and will likely continue for decades more, but some that feeling is founded, appropriately, in the innocence of children. The good will and jolly tone of the iconic Santa Claus figure never fails to find welcome at this time of the year, and Santa always seems to have good sense of humor about himself. Artist Kevin Oechsli’ s perennial series “Scenes of the Season” takes full advantage of this quality by placing an uncharacteristically athletic St. Nick swimming underwater, surfing a high wave, or airborne on a snowboard. It should not come as any surprise that the generous and beneficent figure should enjoy himself to the fullest, but that he is never seen except in his traditional red and white costume just might.

Hometown: Louisville, Kentucky
Age: 55

"Three Wise Men (Scenes Of The Seasons)" by Kevin Oechsli, Mini Painting, Acrylic on Wood (2016), $30 | BUY NOW

"Three Wise Men (Scenes Of The Seasons)" by Kevin Oechsli, Mini Painting, Acrylic on Wood (2016), $30 | BUY NOW

"Santa, Sled, and Reindeer (Scenes Of The Seasons)" by Kevin Oechsli, Mini Painting, Acrylic on Wood (2016), $30 | BUY NOW

"Santa, Sled, and Reindeer (Scenes Of The Seasons)" by Kevin Oechsli, Mini Painting, Acrylic on Wood (2016), $30 | BUY NOW

Various Works by Wood & Twine, wood, string (2016)

Various Works by Wood & Twine, wood, string (2016)

Wood & Twine

An emphasis on “local” artists and craftspeople might not require motifs unique to Louisville, but perhaps it is inevitable that at the intersection of creativity and commerce we find community pride. Melody Niemann and Jessica England, who together form the team Wood & Twine, make no bones about their love for their hometown: “We feel that it is important to represent Louisville and its distinct culture in our artwork. This can be seen in pieces such as Kentucky, Louisville Skyline and Fleur de Lis. Our participation in the Louisville art scene, such as the Flea off Market, Deck the Walls, Cuteopia!, and local charity events, exemplifies the importance we place on giving back to the city that raised us.”

The simple appeal is not dissimilar to folk art, one of the virtues of which is the ability to connect on straightforward level with a wide audience. “Our artwork takes a very unique approach to utilizing raw materials. Using wood, nails and twine, we are able to create distinct pieces with an unprocessed and rustic, yet simple feel. Our work is very accessible to all, available in a variety of sizes and designs. And no two pieces are exactly the same, making each a one-of-a-kind staple for the home.”

Name: Melody Niemann and Jessica England (Wood & Twine)
Hometown: Louisville, Kentucky
Age: 23 and 25
Education: BA in Marketing, with Minors in Communications and Management, University of Louisville (both)
Website: https://www.instagram.com/woodntwine/

“Louisville Skyline” by Wood & Twine, 16x12in, wood, string (2016), $75 | BUY NOW

“Louisville Skyline” by Wood & Twine, 16x12in, wood, string (2016), $75 | BUY NOW

“But First, Bourbon” by Wood & Twine, 6x8in, wood, string (2016), $35 | BUY NOW

“But First, Bourbon” by Wood & Twine, 6x8in, wood, string (2016), $35 | BUY NOW

“My Old Kentucky Home” by Wood & Twine, 8x6in, wood, string (2016), $35 | BUY NOW

“My Old Kentucky Home” by Wood & Twine, 8x6in, wood, string (2016), $35 | BUY NOW

"Inspiration Bracelets" by Gretchen Leachman

"Inspiration Bracelets" by Gretchen Leachman

Gretchen Leachman

Gretchen Leachman works in a variety of mediums, but the majority of her time is spent in jewelry design, mainly working with metal, wire, and gemstones. Some of the pieces are plaintive and understated, such as the necklace charms we see here, but others are more intricate and luxurious in their impact. “I pay close attention to creating pieces that will have meaning for the person wearing it,” explains Leachman.

She is currently involved in several pen & ink projects as well. “One of my current favorites involves collecting a series of words from family members about their home and family life … then using those words to depict a drawing of their house. Thoughts & feelings are the heart of what makes each home unique and loved, and I want to capture that as a reminder to those living there.”

“I love art. I always have. I fully support the theory that art should be fun and inspirational, and that is what I want to bring out in everything I do. It is my goal to make a connection with each individual, providing a small reminder of inner strength, joy and empowerment. Everyone has greatness and worth. Sometimes we just need a tangible reminder that we are, indeed, enough.”

Hometown: Louisville, Kentucky
Education: SHA 1990; BA, Advertising, Western Kentucky University 1994
Website: http://www.GretchenLeachmanDesigns.com

"Symbols Of Peace Made With Vintage Safety Pins" by Gretchen Leachman

"Symbols Of Peace Made With Vintage Safety Pins" by Gretchen Leachman

"Hammered & Stamped Necklaces" by Gretchen Leachman

"Hammered & Stamped Necklaces" by Gretchen Leachman

Other artists to be found at Revelry include painters Bob Lockhart, Julio Cesar, Melissa Crase, Ewa Perz, Joshua Jenkins, Erik Orr, and Gibbs Rounsavall, jewelry makers Rachael Erickson and Lindsay Hack, and household crafts by Ashleigh Anthony, DayNa Gliebe, Paul Nelson and Mark McGee, just to name a few.

Mo McKnight Howe, Molly Huffman and Major Hanging Out At Revelry Gallery.

Mo McKnight Howe, Molly Huffman and Major Hanging Out At Revelry Gallery.

In Louisville, the Buy Local catchphrase is “Keeping Louisville Weird,” which captures the unique tone of the River City’s celebration of the individualism of locally owned businesses. Flair and eccentricity are part and parcel of the experience, in which the idiosyncratic personalities of the owners are a crucial part of the identity of the enterprise. When you visit Revelry this holiday season, you also will meet Mo, Molly, and Major (the official greeter), and that personal connection to the community they represent gives added value to the shopping experience and deeper meaning to the act of giving.


This Feature article was written by Keith Waits.
In addition to his work at the LVA, Keith is also the Managing Editor of a website, www.Arts-Louisville.com, which covers local visual arts, theatre, and music in Louisville.


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Painting

Vignette: Barry Motes

"Annunciation" by Barry Motes, 30x40in, Oil on canvas, $1700 | BUY NOW

"Annunciation" by Barry Motes, 30x40in, Oil on canvas, $1700 | BUY NOW

Barry Motes his studio.

Barry Motes his studio.

In his best work, painter Barry Motes creates enigmatic tableau of surrealist scenes that seek to explain some aspect of human existence. Often there are suggestions of supernatural elements in the inscrutable narratives, and, in the titles, the artist solves whatever mystery the viewer may be experiencing: Motes is unabashedly a person of faith. 

When one views Water & Spirit with no understanding of the source in biblical text (Acts 8:38) what conclusions would be drawn? How important is the race of the human figure in the bathtub? That his head has been opened and filled with water seems an ominous and disturbing image, as will most deconstruction of the body in art; but what are we to make of the bird in the small opening that could hardly be called a window. Yet the surreal anxiety is leavened by Motes’ deliberate choices in color and the serene expression of the man. 

The use of parable in religious storytelling follows a long tradition, but Motes marries the morality to unorthodox juxtapositions of object and setting. He is also unafraid to inject nuance into the message, so that the ghostly image of the iconic Venus di Milo statue seen through the door of a strip club provocatively questions the viewer’s easiest assumptions. Although Motes explicitly uses his art to express Christian themes, he does not relinquish the artist’s less sacred but no less important mission to encourage, or even demand that the viewer be an active participant in the process by actively thinking. Such an exchange between artist and audience is the final link in the chain of insight and understanding that is the imperative value of art to any society.

"Water & Spirit"  by Barry Motes, 24x30in, oil on canvas, $900 | BUY NOW

"Water & Spirit"  by Barry Motes, 24x30in, oil on canvas, $900 | BUY NOW

Motes was born in San Diego, California and grew up in Xenia, Ohio. He is a Professor of Art at Jefferson Community & Technical College in Louisville, Kentucky and resides in Prospect, Kentucky with his wife, Carla. Their two sons, Zach and Griff, are graduates of the University of Kentucky and both live in Lexington, KY.

If you wish to see Motes’ work first hand, his solo exhibit Sacred Stories, Wayside Expressions Gallery, Louisville, KY, continues through November 27, 2016. He will also have work in two upcoming solo shows at the Harvill Gallery, Customs House Museum in Clarksville, TN. December 1, 2016 -January1, 2017, and at Lindsey Wilson College in Columbia, KY January 18-February 24, 2017. His work will also be included in 58th Mid-States Art Exhibition, Evansville Museum in Evansville, IN, December 10, 2016 -March 5 2017

Hometown: San Diego, California
Educational: MFA in Painting/Drawing, University of Tennessee, Knoxville, TNB.A. & MA degrees in Art, Morehead State University
Website: http://www.jbmotesart.com

"Supper at Yummaus" by Barry Motes, 36x48in, oil on canvas, $2400 | BUY NOW

"Supper at Yummaus" by Barry Motes, 36x48in, oil on canvas, $2400 | BUY NOW

"Midnight in the Garden" by Barry Motes,, 36x48in, oil on canvas, $2400 | BUY NOW

"Midnight in the Garden" by Barry Motes,, 36x48in, oil on canvas, $2400 | BUY NOW

"Sibling Rivalry (Cain & Abel)" by Barry Motes, 30x40in, oil on canvas, $1700 | BUY NOW

"Sibling Rivalry (Cain & Abel)" by Barry Motes, 30x40in, oil on canvas, $1700 | BUY NOW

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Written by Keith Waits. Entire contents copyright © 2016 Louisville Visual Art. All rights reserved.

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Painting, Mixed Media

Q&A: Artist David Iacovazzi-Pau


"People need to be educated about the value of art." — David Iacovazzi-Pau


David Iacovazzi-Pau: Photo by Michael Brohm

David Iacovazzi-Pau: Photo by Michael Brohm

David Iacovazzi-Pau’s work focuses on the human figure and is a visual diary of the people he encounters. His series reveal different aspects of the sitters and the link between their physical appearance and personality. “My aim is to portray idiosyncrasies and evoke the mood of the subject in order for the portrait to have an accurate likeness and affect. The work reflects what I sense about a person and is a documentation of my community.” 

Born 1978 in Luxembourg, Iacovazzi-Pau began his education in fine arts from the age of 15 in Belgium. He later attended the Centre Académique des Arts in Luxembourg and immigrated to the United States in 1997, studying at Indiana University Southeast. He currently lives and works in Louisville, Kentucky.

When did you first think you would be an artist?

I don’t recall a specific time or moment. Over the years I gradually felt I was one. It was obvious early on that I was not going to be a mathematician …

If you could do anything else but make art, what would it be?

Probably something related to art history. Then again running a vineyard could be fun too.

"Little Miss Flint" ("Conversation with Teddy Abrams" Series) by David Iacovazzi-Pau, 12x8.5in, Ink drawing and inkjet on paper (2016)—5999 ink lines representing the amount of children that were affected by lead in Flint's tap water.

"Little Miss Flint" ("Conversation with Teddy Abrams" Series) by David Iacovazzi-Pau, 12x8.5in, Ink drawing and inkjet on paper (2016)—5999 ink lines representing the amount of children that were affected by lead in Flint's tap water.

What frightens you the most?

Crowd manipulation, albeit interesting, is frightening. I also have a phobia of reptiles, especially snakes. 

What is your favorite music to listen to when making art?

That varies, a lot of jazz and classical. Sometimes I turn on the French news for a while. And sometimes silence seems to be my preference.

Favorite movie?

A Pure Formality by Giuseppe Tornatore, starring Roman Polanski and Gérard Depardieu.

What are you reading right now?

“Portraits by Ingres: Image of an Epoch", and the Philip Guston Retrospective (2003) catalogue.

"Self Portrait with Maya (in the studio)" by David Iacovazzi-Pau, 30x24in, oil on paper (2016)

"Self Portrait with Maya (in the studio)" by David Iacovazzi-Pau, 30x24in, oil on paper (2016)

If you were given a $100,000 what would do with it?

I'll let you know when I get the $100,000.

What advice would you give a young artist just out of college?

I would encourage them to see as much artwork as they can whether it's in museums, galleries, or studios. Contemporary art as well as historical are fabulous sources of inspiration. Also, don't worry about fitting in, paint for yourself and make artwork that excites you. 

What does art mean to you?

Art means different things to me. I was lucky to be encouraged to draw and paint from a young age, so it has become a way of life. As an artist I’m working within my own means and in the process there's self-doubt, frustrations and disappointment but in spite of it all, I enjoy working things out in a painting. It gives me a sense of freedom and purpose when I'm engaged with it.

"Teddy #2" ("Conversation with Teddy Abrams" Series) by David Iacovazzi-Pau, 24x18in, graphite on paper (2016)

"Teddy #2" ("Conversation with Teddy Abrams" Series) by David Iacovazzi-Pau, 24x18in, graphite on paper (2016)

If you could have a talent that you currently don't already have what would it be and why?

Having the skills to be an eloquent orator would be my first choice. It makes things a lot easier if you are able to articulate your thoughts well. 

How do you feel about the local art scene in Louisville? Would you change anything about it?

The amount of local artists is increasing and they are good. The problem is that there are just not enough buyers to sustain it. Galleries will close and artists will continue to struggle (nothing new here) but also move away as long as we don't see any changes. People need to be educated about the value of art. They will then in turn invest in the local visual art scene. 

A photo from David's studio (2016)

A photo from David's studio (2016)

Has your style changed or evolved over the years? If so what do you think influenced this?

Yes, it did. Probably because of being exposed to different styles and new artists. Also, making mistakes can take you to uncharted territories; you can learn and grow from it. I like to think that I did. But I think progress and change mainly comes from working. Chuck Close has a great quote, "Inspiration is for amateurs, the rest of us just show up and get to work."

What do you feel is your greatest flaw? 

I tend to obsess over things and I can be stubborn, that's the Breton in me.

Name: David Iacovazzi-Pau
Hometown: Grand Duchy of Luxembourg
Age: 37
Education: Centre Académique des Arts in Luxembourg and Indiana University Southeast
Website: http://www.davidiacovazzipau.com/
Gallery Representative: Swanson Contemporary Gallery

"Teddy #3" ("Conversation with Teddy Abrams" Series) by David Iacovazzi-Pau, 24x18in, oil on paper (2016)

"Teddy #3" ("Conversation with Teddy Abrams" Series) by David Iacovazzi-Pau, 24x18in, oil on paper (2016)

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Written by Keith Waits. Entire contents copyright © 2016 Louisville Visual Art. All rights reserved.

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Mixed Media, Painting, Sculpture

Vignette: Tom Pfannerstill

"Ali Center and River West" by Tom Pfannerstill, 30x45in, acrylic on canvas (2016)

"Ali Center and River West" by Tom Pfannerstill, 30x45in, acrylic on canvas (2016)

Artists are sometimes magicians, creating illusions of space and time. Tom Pfannerstill’s “From the Street” series appear to be trash, candy boxes, fast food cups, oilcans, violently pressed flat by the heavy tread of delivery trucks. The artist finds these items in the street and alleyways, but this is not what you see on the gallery wall. Pfannerstill recreates each cast-off container as carved wood sculptures painted with acrylics.

It is a highly successful trompe l’oeil effect. The notion of picking any of these up by hand in the alley might be distasteful, but the seductive desire to touch the sculptural replication is difficult to control, even if only to verify that they are indeed not the flattened and filthy ‘real thing’. Pfannerstill applies the same approach to recreating objects from around his studio “They have been altered, bent, folded and scarred,” explains the artist, “ …in a word individualized. They touch on issues of commercialism and consumerism, but are mostly intended to be subtle reminders of the temporality of all things.”

"Spring Street Tavern" by Tom Pfannerstill, 19.25x24in, acrylic on canvas (2016)

"Spring Street Tavern" by Tom Pfannerstill, 19.25x24in, acrylic on canvas (2016)

Pfannerstill is most renowned for the painted sculptures, but actually is identified through several different styles and medium. “The work changes often, but I find myself returning again and again to several major areas of investigation; three-dimensional still life, found object works, a series of the human head (in this case, mine), quilts and quilt patterns using un-quiltlike materials, blue paintings, and of late black paintings.”

Now, inspired by flying out of NYC at night, Pfannerstill hs been immersed in a series of paintings of cities at night; darkness punctuated by points of light. The work is not like anything people are familiar from this artist, which is why he is particularly excited about them. 

Pfannerstill currently has a show in Nashville Tennessee at the Cumberland Gallery. He will also be exhibiting with Caroline Waite at Galerie Hertz in Louisville, Kentucky November 13 through December 31, 2016.

Hometown: Louisville
Age: 64
Education: BFA, Western Kentucky University, 1975; School of Hard Knocks, 1975-present
Gallery Representation: Galerie Hertz, Louisville; Cumberland Gallery, Nashville, TN; Jonathan Novak Contemporary, Los Angeles, CA; Ellis-Walker Gallery, Bowling Green, KY; Sager-Braudis Gallery, Columbia, MO
Website: http://www.tpfannerstill.com

"Brillo" by Tom Pfannerstill, acrylic and/or enamel on carved basswood (2016)

"Brillo" by Tom Pfannerstill, acrylic and/or enamel on carved basswood (2016)

"Eggo" by Tom Pfannerstill, acrylic and/or enamel on carved basswood (2016)

"Eggo" by Tom Pfannerstill, acrylic and/or enamel on carved basswood (2016)

"Ultimate Lemons" by Tom Pfannerstill, acrylic and/or enamel on carved basswood (2016)

"Ultimate Lemons" by Tom Pfannerstill, acrylic and/or enamel on carved basswood (2016)

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Written by Keith Waits. Entire contents copyright © 2016 Louisville Visual Art. All rights reserved.

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