"Beckley Creek Park" by Victor Sweatt, 15x30in, oil on canvas (2016), $1500 | BUY NOW — *"Beckley Creek Park" by Victor Sweatt, 15x30in, oil on canvas (2016), $1500 | BUY NOW*

*Victor Sweatt working on his pastel drawing, "Early Fall"*

As a painter, Victor Sweatt is unquestionably a realist. His images are recognizable and assured in the expressiveness of the human form, yet there is also a potent emotional quality that reaches for expressionism. It is there in the evocative gestures and postures of his figures, but it is also evidenced in the landscapes that have most recently occupied him.

The detail and sense of place is confident, but the development of surface and the delicate placement of color connect to Sweatt’s more subjective compositions of musicians, farmers, parishioners, and others, which often have a slightly surreal quality, a heightened observation of the flavor of a scene. In these pastorals, such as “Morning Dew,” there is a palpable sense of discovery in how the light delineates the dimensionality of the space surrounding the petals, a glimpse into another universe at our feet that we take for granted.

A long-time teacher and mentor for kids in west Louisville, Sweatt is currently seeking funding for "Speak Up", a children’s book that empowers them against child molestation, educating youth about the negative effects of under age drinking and setting positive goals.

Sweatt was born in Louisville. The oldest of three sons, Sweatt was raised in a single-family household. He credits his mother for his strength and determination, which helped him to survive and excel in the challenged west side neighborhoods in Louisville. He has shown his work in group and solo exhibitions, and appears in public and private collections throughout the United States. In 2015, his work was included in the Louisville Visual Art exhibit, Presence and Place at Metro Hall in Louisville, KY. Sweat is a signature member of the Louisville Visual Art, the Kentucky Artist Pastel Society, and the Kentucky Watercolor Society.

Hometown: Louisville, Kentucky
Facebook: https://www.facebook.com/victor.sweatt

"Autumn Cool" by Victor Sweatt, 9x12in, pastel on canson paper (2016), $550 | BUY NOW — *"Autumn Cool" by Victor Sweatt, 9x12in, pastel on canson paper (2016), $550 | BUY NOW*

"Chickasaw Park Bridge" by Victor Sweatt, 16x20in, oil on canvas (2016), $750 | BUY NOW — *"Chickasaw Park Bridge" by Victor Sweatt, 16x20in, oil on canvas (2016), $750 | BUY NOW*

"Morning Dew" by Victor Sweatt, 9x12in, pastel on canson paper (2016), $550 | BUY NOW — *"Morning Dew" by Victor Sweatt, 9x12in, pastel on canson paper (2016), $550 | BUY NOW*

Are you interested in being on Artebella? Click here to learn more. — *Are you interested in being on Artebella?* *Click here* *to learn more.*

Painting

Vignette: Benjamin Duke

Josh Jenkins · December 13, 2016

“How much monster, Duke’s Paintings ask us, are we willing to feel in ourselves, to accept, to affirm? What are the limits to which our egos restrict us, and what attractions and sensations liberate us from the cage of self? What aspirations and endeavors, Ben Duke’s paintings keep asking, lead beyond all compromises and reveal to us, finally what a body can think and do and feel.” — From Brian Kubarycz’s introductory essay to the catalogue entitled: Benjamin Duke 2001-2010: Ten years of Work with essays by Brian Kubarycz, and Su YuAnn, published by Garden City Publishing.

"Persistent Remainders" by Benjamin Duke, 60x65in, oil (2016), $8500 | BUY NOW — *"Persistent Remainders" by Benjamin Duke, 60x65in, oil (2016), $8500 | BUY NOW*

Benjamin Duke returns to exhibit in Louisville 11 months after presenting his painting “Louisville 2015: Full of Life, Now” (2015), to Metro Hall. He was Louisville’s first participant in a visiting artist initiative, introduced in 2015 as part of the Mayor’s Music & Art Series. The painting is on display in the Mayor’s Conference Room at Metro Hall.

Duke’s work takes our recognizable existence and twists it with pretzel logic. It is immediately accessible yet touches upon deeper currents: “In my paintings I ask myself “Is this the way the world is?’ I reshape and retool my painting experience to answer that question. But while the question begins with the world, it ends with the work itself: “Is this the way the world is in this work?”

The search is for the world in painting and painting in the world (painting worlds / painting’s world). Am I in the world or is the world in me? I allude to my life, to writers works, to imagery and it is my hope that this record of allusion conjures and creates the same. I am referring to text, theory, idea but I am also finding myself already there, looking out to see in.”

"Awakening as Self-Identity Matrix #2" by Benjamin Duke, 60x60in, oil, $8500 | BUY NOW — *"Awakening as Self-Identity Matrix #2" by Benjamin Duke, 60x60in, oil, $8500 | BUY NOW*

It wasn't a Dream, It was a Real Place, Duke’s new exhibit, will run December 16, 2016 through January 27, 2017 in University of Louisville’s Cressman Center for Visual Arts at 100 East Main Street. There will be an Artist’s Reception open to the public December 16 from 6 pm to 8 pm.

"Lingua Franca #2" by Benjamin Duke, 60x72in, oil (2016), $10,000 | BUY NOW — *"Lingua Franca #2" by Benjamin Duke, 60x72in, oil (2016), $10,000 | BUY NOW*

Duke is Associate Professor of painting at Michigan State University. Born in Louisville, Kentucky, he received his Master of Fine Arts from the Maryland Institute College of Art Hoffberger School of Painting. His work has been exhibited in solo and group exhibitions from Chicago to Taiwan. Duke has also been awarded international residencies at Bamboo Curtain Studios, The Kuandu Museum of Fine Art at Taipei National University of the Arts, and the Vermont Studio Center.

Hometown: Louisville, KY
Education: BFA, University of Utah, Painting and Drawing Emphasis, 2002; MFA, Maryland Institute College of Art, Hoffberger School of Painting, 2006.
Website: http://www.bendukeart.com/
Gallery Representative: Ann Nathan Gallery (Chicago), A Gallery (Salt Lake City)

"TXT" by Benjamin Duke, 65x87in, oil (2016), $10,000 | BUY NOW — *"TXT" by Benjamin Duke, 65x87in, oil (2016), $10,000 | BUY NOW*

"Awakening as Self-Identity Matrix #4" by Benjamin Duke, 65x72in, oil (2016), $8500  | BUY NOW — *"Awakening as Self-Identity Matrix #4" by Benjamin Duke, 65x72in, oil (2016), $8500 | BUY NOW*

"Lingua Franca" by Benjamin Duke, 44x54in, oil (2016), $8500 | BUY NOW — *"Lingua Franca" by Benjamin Duke, 44x54in, oil (2016), $8500 | BUY NOW*

Painting

Vignette: Gibbs Rounsavall

Josh Jenkins · December 8, 2016

“Color…can transport us through time.” – Gibbs Rounsavall

*Gibbs Rounsavall at work in his studio*

Science and art may appear to inhabit opposite corners of human experience; but they have much in common. Aside from the dubious distinction of being targets in the current culture wars, each absolutely depend upon acute observation and stringent process. Perhaps nowhere is this synchronicity more apparent than in the study and application of color theory. In the work of Gibbs Rounsavall, the compositions may strike us wholly academic in their construction; a juxtaposition of color rigidly enforced by the strictest geometry, yet there is more than theory at work here.

“I compare my studio practice to that of a scientific exploration embracing the thrill of discovery.” Explains Rounsavall. “The focus of my study has primarily been on relationships between shape and color. Color has such strong associative powers that it can transport us through time eliciting memories while simultaneously suspending the perception of reality.”

"Transitions #5" by Gibbs Rounsavall, 27.25 x 34.75 in, enamel on paper (framed), $1150 | BUY NOW — *"Transitions #5" by Gibbs Rounsavall,* *27.25 x 34.75 in, enamel on paper (framed), $1150 | BUY NOW*

The artist uses one-shot sign paint to create the exacting geometric images, which, although reminiscent of computer-generated graphics, are painted entirely hand. The blend of symmetrical precision and the inherent imperfection of the artist’s hand is the key to their appeal – the reason we as viewers cannot turn away. The discipline and craft are compelling, but Rounsavall puts into the service of a simple ideal.

“Most importantly, I want my work to provide a positive experience for my audience and a sense of beauty that can enrich their lives by raising an awareness and appreciation for the present moment.”

"Transitions #4" by Gibbs Rounsavall, 27.25 x 34.75 in, enamel on paper (framed), $1150 | BUY NOW — *"Transitions #4" by Gibbs Rounsavall,* *27.25 x 34.75 in, enamel on paper (framed), $1150 | BUY NOW*

In 2015 Rounsavall completed the Sunshine and Shadow mural in Louisville’s Shelby Park.

Rounsavall has three drawings on exhibit at Scout on Market in Louisville, and was accepted into the 12th Annual Mazin Art Exhibit at the Jewish Community Center’s Patio Gallery, which runs through January 3, 2017.

Hometown: Louisville, Kentucky
Education: BFA, Washington University in St. Louis, Concentration: MAT, University of Louisville, Concentration: Art Education
Website: http://www.gibbsrounsavall.com

"Transitions #6" by Gibbs Rounsavall, 17 x 21 in, enamel on paper (framed), $450 | BUY NOW — *"Transitions #6" by Gibbs Rounsavall,* *17 x 21 in, enamel on paper (framed), $450* *| BUY NOW*

"Transitions #3" by Gibbs Rounsavall, 27.25 x 34.75 in, enamel on paper (framed), $1150 | BUY NOW — *"Transitions #3" by Gibbs Rounsavall,* *27.25 x 34.75 in, enamel on paper (framed), $1150 | BUY NOW*

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Painting

Vignette: Jessica Olberz Singleton

Josh Jenkins · December 6, 2016

"Spinning Sun" by Jessica Olberz Singleton, 24x24in, acrylic on canvas, $85 | BUY NOW — *"Spinning Sun" by Jessica Olberz Singleton, 24x24in, acrylic on canvas, $85 | BUY NOW*

When a layperson ponders what makes an artist, they might begin by considering that is simply a matter of perspective, and also the ability to hold a perception and explore it; a search for insight and understanding of our existence within the world around us. It is the thing that makes an artist stop and investigate a rain puddle, or find the gentle passing of time marked by nature as prosaic, and then find some way to capture that impression through creative expression.

In her artist’s statement, Singleton explains, “I remember my shock and amazement the first time I saw the clouds move. I was five years old. I learned to slow down, be still, and look more closely. Taking that time today, I see and hear things that seem to come out of nowhere. Just last week I found a tiny, perfectly preserved frog skeleton beneath the seat of my car. It fits on a penny with room to spare. What are the odds?”

“Nature brings me to my senses and my senses remind me that I am in (and of) this world. And, so, inevitably I bring nature into my studio to spend more time with the leaves and the flowers. In my studio, I enjoy the sensory experience of mixing colors and moving them over the paper or canvas and watching how, with time, something new emerges.”

"Diamonds" by Jessica Olberz Singleton, 10x14in, watercolor and ink, $50 (unframed) | BUY NOW — *"Diamonds" by Jessica Olberz Singleton, 10x14in, watercolor and ink, $50 (unframed) | BUY NOW*

The importance of memory and sensory experience in Singleton’s work relate to time itself; the most underappreciated material in an artist’s toolbox. It plays a role in any artist’s process but is rarely acknowledged.

Singleton is also a photographer and a yoga instructor, and her painting includes mandalas that tie more obviously into health and wellness, but all of the artist’s work is inextricably connected to the harmony of nature. It clearly represents an important aspect of her spirituality, and in 2011 she opened The Trilliquin Center, where she teaches varying levels of yoga, including Gentle, Iyengar and Restorative Yoga, as well as art workshops and community events.

Hometown: Louisville, Kentucky
Age: 40
Education: BA, University of Louisville, 2000, majored in Fine Arts with a concentration in Drawing, minored in Psychology and Women's Studies.
Website: http://jessicaolberz.com

"White Mandala on Plaid Wash" by Jessica Olberz Singleton, 12x16in, watercolor and gouache, $80 (framed) | BUY NOW — *"White Mandala on Plaid Wash" by Jessica Olberz Singleton, 12x16in, watercolor and gouache, $80 (framed) | BUY NOW*

"Four Circles" by Jessica Olberz Singleton, 10x14in, watercolor and ink, $50 (unframed) | BUY NOW — *"Four Circles" by Jessica Olberz Singleton, 10x14in, watercolor and ink, $50 (unframed) | BUY NOW*

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Painting

Vignette: Elsie Harris

Josh Jenkins · December 5, 2016

*Elsie Harris in her studio. Photo by Ayla Christman.*

People born and raised in Appalachia often speak of a connection with the land that sounds unique to that experience. Certainly they have no monopoly on such appreciation for nature, and the pastoral figures in the biographies of a wide variety of artists, but the eastern region that stretch from the Southern Tier of New York to northern Alabama, Mississippi and Georgia has a cultural identification with environment that sets it apart from other areas.

Elsie Harris is one such artist. Claiming a life-long connection to the land: “As a child I would wander into the woods and sit on a hilltop to innately be a part of it…mountains, rocks, creeks and hillside ridges. It is where I find both joy and serenity,” she sketches areas that attract her attention, and translates those studies onto canvas, using heightened color to capture the experience of being on the site. This emphasis on subjective emotion places her firmly in the expressionist camp, yet there remains some degree of attachment to the realism, and a sense of place.

"Radiance" by Elsie Harris, 32x40in, acrylic on canvas, $1100 | BUY NOW — *"Radiance" by Elsie Harris, 32x40in, acrylic on canvas, $1100 | BUY NOW*

“My intention then was to push the edges, processes and limits of realism with color, configuration and composition while still being faithful to an original image. For me it is a magical intimacy – a spiritual consciousness – one with nature – that is the message in my work.”

You can currently find Harris’s work in two Kentucky galleries: CRAFT(s) Gallery, 572 South Fourth Street, Louisville, and Art of Danville Gallery, 413 West Main Street, Danville.

Harris' work is seen in many corporate acquisitions and personal collections both here and abroad. Her paintings have also been included in various juried and invitational exhibits across the nation, and she has been commissioned to produce paintings and graphics for numerous organizations. She has worked as a graphic artist with Kentucky Educational Television, and has been involved in an administration capability with many arts organizations and agencies in Kentucky.

"Falling Tree" by Elsie Harris, 30x32in, acrylic on canvas, $760 | BUY NOW — *"Falling Tree" by Elsie Harris, 30x32in, acrylic on canvas, $760 | BUY NOW*

Exhibits - Invitational:
Hunt Morgan House: Art Connects, Lexington, KY, 2016
KY Crafted: Breeders Cup Exhibition, Lexington, KY, 2015
Coop; Sale: Group Exhibit and sale, 2015
Grid: Creativity by the Square Foot, New Editions Gallery, Lexington, KY, 2015
Gallery on Main, Richmond, KY, 2014
KY Guild of Artist/Craftsmen, Berea, KY, 2014
LexArts, ArtsPlace Gallery, Lexington, KY, 2014

Recent Exhibits:
At the Rivers Bend, Evansville Museum, 2016
OH + 5 2016, Dairy Barn Arts Center, Athens, OH, 2016
Visions at the Capital Fifty/50, 2016
2016 Horizon: Contemporary Landscape exhibition, 2016
Appalachian Artist Guild National Juried Show, Blue Ridge, GA, 2011, 2014
OH+5, Dairy Barn Arts Center, Athens, OH, 2013, 2015

Hometown: Lexington, Kentucky
Education: BA, Fine Art, University of Kentucky; AA, Fine Art, Sullins Junior College
Website: http://www.elsieharris.com

"Whispering Hills" by Elsie Harris, 30x32in, acrylic on canvas, $850 | BUY NOW — *"Whispering Hills" by Elsie Harris, 30x32in, acrylic on canvas, $850 | BUY NOW*

"Sunshine In" by Elsie Harris, 30x40in, acrylic on canvas, $1050 | BUY NOW — *"Sunshine In" by Elsie Harris, 30x40in, acrylic on canvas, $1050 | BUY NOW*

Painting

Vignette: Victor Sweatt

Vignette: Benjamin Duke

Vignette: Gibbs Rounsavall

“Color…can transport us through time.” – Gibbs Rounsavall

Vignette: Jessica Olberz Singleton

Vignette: Elsie Harris