"Creekside" by Jenny Shircliff, 24x36in, oil on canvas (2017), $1500 | BUY NOW — *"Creekside" by Jenny Shircliff, 24x36in, oil on canvas (2017), $1500 | BUY NOW*

Artists turn that introspective gaze towards themselves; it’s not at all unusual - most art reveals something of the person who creates it. Jenny Shircliff makes herself the subject as a way of investigating age and, by implication, mortality.

"Cavea" by Jenny Shircliff, 18x15in, pastels on paper (2016), $650 | BUY NOW — *"Cavea" by Jenny Shircliff, 18x15in, pastels on paper (2016), $650 |* *BUY NOW*

Her earlier paintings were naturalistic renderings of the figure, but her new work is a departure, in which she dramatically abstracts human form nearly beyond recognition, and equates it with landscape forms.

“Our culture's idea of figurative beauty is predicated on youth, smooth skin, and rosy complexions,” observes Shircliff, “I am inverting that tenet and looking at my own aging flesh as a recording of my life, much in the same way that time is visually marked on the landscape. Thus, I have turned to viewing various parts of my own body as elements of land formations and use them as a derivation for abstract landscape. And I draw my color from nature itself. In a way, this new body of work could be described as ‘flesh-scapes’.”

What results from this focus are images of startling graphic impact. They appear to be abstract but are, in reality, intense, close-up views of the human form that embrace and reveal their humanity. The discovery of organic pattern and shape is so universal that we mistake them for images of other animals or natural rock formations. Through this highly candid, nearly forensic self-portrait series, Shircliff reminds us that we are a part of a larger natural world.

"Outcrop" by Jenny Shircliff, 20x24in, pastels on paper (2016), $950 | BUY NOW — *"Outcrop" by Jenny Shircliff, 20x24in, pastels on paper (2016), $950 | BUY NOW*

Shircliff has returned to painting after a long period devoting herself to the studying and teaching art history. “One of the most important things I learned from that experience is that assumptions should be challenged, inverted, and viewed in a different light.”

Shircliff has taught previously at Kentucky College of Art + Design at Spalding University, KSAH, Bellarmine University, University of Louisville, IUS, JCTC, and Midway College.

Hometown: Louisville, Kentucky
Age: 62
Education: PhD in Art History, May 2014 University of Louisville, Louisville, KY; MA in Painting, 1994 University of Louisville, Louisville, KY; BFA in Drawing, 1976 Murray State University, Murray, K

"Cavern" by Jenny Shircliff, 31x36in, oil on canvas (2016), $3000 | BUY NOW — *"Cavern" by Jenny Shircliff, 31x36in, oil on canvas (2016), $3000 | BUY NOW*

"Gorge" by Jenny Shircliff, 48x48in, oil on canvas (2016), $1500 | BUY NOW — *"Gorge" by Jenny Shircliff, 48x48in, oil on canvas (2016), $1500 | BUY NOW*

"Cliffside" by Jenny Shircliff, 24x36in, oil on canvas (2016), $750| BUY NOW — *"Cliffside" by Jenny Shircliff, 24x36in, oil on canvas (2016), $750| BUY NOW*

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Mixed Media

Vignette: Caroline Waite

Josh Jenkins · November 17, 2016

*A photograph of Caroline Waite in her studio.*

"One Small Planet" by Caroline Waite, 10x11x2.5in, tin, paper mache, gouache paintings, model trees, globe, chain. $950 | BUY NOW — *"One Small Planet" by Caroline Waite, 10x11x2.5in, tin, paper mache, gouache paintings, model trees, globe, chain. $950 | BUY NOW*

Objects are memory in Caroline Waite’s work. Trained as a Printmaker and with experience in Textiles, it should come as no surprise that, when she found herself developing three-dimensional work, the constructions would include repetition. Patterns can be discovered in the recurrence of the objects themselves, culled from her ever-expanding collection (artists were recycling long before it was fashionable or essential), or an even more fundamental echoing of motifs or design elements within the structure of a piece.

“Things are displayed in my studio, either pinned to the wall or arranged on a surface and eventually a dialogue begins. Once I recognize the potential relationship between these objects, a narrative develops and I get to work.

I love the element of mystery surrounding old objects – the questions as to their meaning, their origin and age – in other words, their “secret lives”.”

In England, Waite taught at Northbrook College, Sussex North East Wales University Telford College, Shropshire. Since moving to the U.S. in 2001, she has lived in Texas and New Mexico but prefers her current home of Louisville, even if two house moves in two years has meant little time for involvement in exhibitions:

"Beauty Beckons" by Caroline Waite, 24x12x2in, forged steel, vintage drafting tools, Nymphenburg German porcelain hand, hand painted panel and various mixed media, $1700 | BUY NOW — *"Beauty Beckons" by Caroline Waite, 24x12x2in, forged steel, vintage drafting tools, Nymphenburg German porcelain hand, hand painted panel and various mixed media, $1700 | BUY NOW*

“However, new work has been in production with exciting developments including a collaboration with a metal fabricator on forged, steel pieces, allowing me to pursue an interest in wall sculptures.” In an interview on PUBLIC, Waite talked about how the intimacy of her work seems in contrast to the American taste for scale. Perhaps this burgeoning interest in developing larger work is a sign that time in the States is exerting some influence on her.

Waite is currently exhibiting with Tom Pfannerstill at Galerie Hertz in Louisville, Kentucky through December 31, 2016, and she will be participating in Strange Worlds: The Vision of Angela Carter, a major invitational exhibit at the Royal West of England Academy, Bristol, England, that opens on December 9, 2016.

Hometown: Cookham Dean, England
Age: 57
Education: BA, Honors in Fine Art, Cheltenham College of Art; Art Teaching Degree, Brighton Polytechnic
Gallery Representation: Galerie Hertz (Louisville)
Website: http://carolinewaite.com

"'Sphinx' (detail)" by Caroline Waite, 14x12x2.5in, antique doll, paper collage, wire in antique repurposed frame, $600 | BUY NOW — *"'Sphinx' (detail)" by Caroline Waite, 14x12x2.5in, antique doll, paper collage, wire in antique repurposed frame, $600 | BUY NOW*

"Scene Unseen" by Caroline Waite, 24x12x2.5in, forged steel, carved ivory panels, painted panels, vintage drafting tools and other mixed media, $1600 | BUY NOW — *"Scene Unseen" by Caroline Waite, 24x12x2.5in, forged steel, carved ivory panels, painted panels, vintage drafting tools and other mixed media, $1600 | BUY NOW*

"'Miraculous Discoveries" by Caroline Waite, 38x27x3in, large display case of hand constructed and collaged insects (sourced from detailed photographs of preserved insects), dolls eyes, card stock, wire, and magazine paper, $5500 | BUY NOW — "'Miraculous Discoveries" by Caroline Waite, 38x27x3in, large display case of hand constructed and collaged insects (sourced from detailed photographs of preserved insects), dolls eyes, card stock, wire, and magazine paper, $5500 | BUY NOW

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age

Vignette: Jenny Shircliff

Vignette: Caroline Waite