Artists Talk with LVA: March 2, 2023

Moon-he Baik was a Professor of Interior Design at the Hite Art Institute in 1991-2021. She received her BFA from Ewha University in Korea, and her MFA from the University of North Texas. Her research focuses on Textile Design, Multi-Cultural Interiors, and Sustainability & Environmental Design.

Since 2018 she has been working to develop the Korea Fiber Form Biennial, which took place in South Korea in 2022 and is unfolding now in Louisville at LVA, KMAC, Asia Institute-Crane House, 21c Hotel & Museum, and the University of Louisville. She has now been invited to bring the Fiber Forum to the 2024 Venice Biennale.

In April 2023 Baik will once again be a featured designer in the KMAC Couture event!

Korea FiberArt International consolidates leading artists in Korean fiber arts to organize symposiums and workshops in correlation to exhibitions. The objective of KFAF is to shed light on Korea's creative endeavors using a wide range of fiber-based materials. The scope is broad from artistic narrative expressions to practical approaches that encompass function.

Artists Talk with LVA: February 23, 2023

REMEMBRANCE, an exhibition honoring the late Lida Gordon featuring Bette Levy, Elmer Lucille Allen, Denise Furnish, and Melinda Snyder, opens at PYRO Gallery on March 3 and runs through March 26, 2023.

“As an artist, I am interested in using historic handwork techniques to create contemporary art and to address personal and societal issues. It is important to me to use these skills in an increasingly technological/virtual world and to maintain an ongoing relationship with the past. 

 For the past 20+ years, I have been a hand embroiderer, using vividly colored silk thread on black grounds. This approach intensifies thread colors and creates strongly contrasting figure-ground relationships. Over time, I have developed a personal language of stitches that enables me to "paint" or "draw" with thread on fabric.  My subject matter is based on the photographic studies that I abstract and manipulate to emphasize seemingly inconsequential structures.  I am interested in textures and how to give form to structures through the layering of stitches and the use of color.  Labor- and stitch-intensive, my work often takes considerable time to research and complete.  It is the very detail of this work, however, that provides a meditational focus”.

The Sanctuary Project is a collaborative performance art initiative with Louisville Visual Art taking place on March 3 & 4 at LVA. Two of the five participating artists, Joyce Barbour and Magnolia Hensley came to talk about it. Joyce is a multi-media artist and teacher and Magnolia is an actor and improv artist.

Five artists create performances around the idea of sanctuary using a variety of media, space, time, spoken word, and music.

Joyce Barbour. Amy Davis. Magnolia Hensley
Sara Noori. Taylor Sanders Curated by Keith Waits

Artebella On The Radio: December 23

Mary Carothers, new chair of the Hite Institute of Art & Design, & Kat Cox, the new Ceramics/Fiber instructor, join us this week to discuss new growth at U of L. Tune in to WXOX 97.1 FM/Artxfm.com each Thursday at 10 am to hear Keith Waits talk with artists.

Mary Carothers has been a professor at Hite Art Institute, Louisville, Kentucky since 1998 and is currently the Department Chair. Her artworks are often site-specific. Carothers’ collaborative project with Sue Wrbican , The Frozen Car (2008) was featured on the Discovery Channel, Floating Seeds (2013), juried by COD+A (Commission of Design and Architecture) received an international merit award and most recently, her sculptural commission Beneath the Surface was recognized by Americans for the Arts as one of 38 of the most outstanding public art projects created in 2015. Beneath the Surface was reinstalled permanently at Great Meadows Estate owned by Al Shands in 2016. 

Originally from Southern California, Kat Cox joined the Fine Arts faculty at University of Louisville in the middle of 2021. Previously, Kat was living and working in Northern California as an Art Lab Technician and Adjunct Professor. She is a 2019 graduate from the University of Nebraska-Lincoln with her Masters of Fine Arts in Art focusing on ceramics. She received her Bachelors of Fine Arts from California State University Long Beach in the spring of 2015. She has worked in clay and fibers since a young age and uses both mediums within her work. Kat’s work has been exhibited at the Kimmel Harding Nelson Center for the Arts, The National Council on Education for the Ceramic Arts, and The Epperson Gallery. 

Artebella On The Radio: May 6

Bette Levy & Kathleen Loomis are exhibiting new work together in PYRO Gallery’s new exhibition, "Reconfiguration". They joined us to talk about it on WXOX 97.1 FM, or stream on Artfm.com.

Bette Levy views the creation of her art as a continuum where every work is influenced and enhanced by previous artwork. With each successive piece of art, she is incorporating gained knowledge and capabilities. She also believes her understanding of her artwork only becomes clear after the work is completed. Levy has no pre-conceived interpretation or meaning of her work other than its form. And this often changes over time as a result of life experiences and perceptions.

Kathleen Loomis thinks of “reconfiguration” slightly differently than Bette does – for her, it’s the finding of old things and giving them new life in art. She is a world-class pack rat, acquiring stuff from the street when she walks, checking out other people’s junk on trash pickup day, accepting discards from friends, even tearing apart old books that she knows nobody will ever want to read. Loomis likes to reassemble these disparate things and see what happens when they get into small groups and start to talk to one another.

PYRO’s new exhibition, RECONFIGURATION, featuring work by Bette Levy and Kathleen Loomis, opens on May 2 and runs through May 30. The gallery is open Friday and Saturday, from 12 to 6 PM and Sunday from 1 PM to 4 PM, and by appointment.