It is the sport of Kings, but Jaime Corum paints horses as if they themselves are the royal subjects.

"Racing Frieze 1" by Jaime Corum, oil on wood panel

Where once a portraitist would depict a monarch in a controlled studio setting, Corum honors the horse with the same reverent approach, imbuing them with a similar lofty dignity. In these portraits, the supple but powerful forms are carefully positioned and lit, placed against deliberately artificial backdrops such as the tapestry in “Amando and Onne”. Corum cites George Stubbs as a key influence, and she has the same formality, the same thorough and complete observation of anatomy, and the same romantic point-of-view of equine nobility.

Corum also paints thoroughbreds in action, but the formal portraits are easily the more distinctive work. She sees the considerable range of expression in these animals; the contrast of mass, power, and speed against the impossible delicacy of the limbs and the graceful, fluid movement. For centuries the horse has worked for us, taken us into battle, and occupied the center of a multi-million dollar sporting industry.

The horse has also played a crucial role in culture, figuring prominently in human mythology and poetry. Symbolic of the force and beauty that are its natural attributes, it carries death, plague, pestilence - but also hope, purity, redemption in equal measure. They occupy our dreams and bear witness to our history:

"Ghost in the Darkness" by Jaime Corum, oil on wood panel — **"Ghost in the Darkness" by Jaime Corum,** oil on wood panel

The black horse crooks his
forelegs, the hills split open,
his nostrils pour flame.
Snort, snort through miles,
O charger, through rock.

From The Black Horse Rider - by Pierre Loving

For the White Horse knew England
When there was none to know;
He saw the first oar break or bend,
He saw heaven fall and the world end,
O God, how long ago.

From The Ballad Of The White Horse - by G. K. Chesterton

Can any other animal claim as much symbolic importance in humanity’s understanding of itself? Corum, of course, is not alone in this understanding, but the manner in which her work locates a distinctly continental tradition in equine imagery exemplifies this idea without resorting to kitsch, and she shows restraint in her embrace of sentimentality. She sees the horse for what it is, and while companionship is recognized as vital, her horses resist precociousness.

Jaime Corum is based in Louisville, Kentucky. Her equine art is inspired and refined by her own experience with horses, especially her own horse Chesapeake. She is currently exhibiting in Poetry in Motion: The Equine Art of Jaime Corum and Richard Sullivan at The Brown Hotel through July 1, 2018

Hometown: Pineville, Kentucky
Education: Bellarmine University
Website: jaimecorumequineart.com
Gallery Representation: Kentucky Fine Art Gallery (Louisville), New Editions Gallery (Lexington), Tilting at Windmills Gallery (Vermont & Saratoga, NY)

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"Amando & Onne" by Jaime Corum, oil on canvas — "Amando & Onne" by Jaime Corum, oil on canvas

"Her Treasures" by Jaime Corum, oil on gessoboard

"Engine" by Jaime Corum,  oil and gold enamel on wood panel. — "Engine" by Jaime Corum, oil and gold enamel on wood panel.

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Painting

Vignette: Teri Dryden

Guest User · September 19, 2017

“I move between intuition and logic; chaos and order.” – Teri Dryden

"Arroyo Seco" by Teri Dryden, collage on panel, 18x24in, 2017 — "Arroyo Seco" by Teri Dryden, collage on panel, 18x24in, 2017

Teri Dryden has worked in several mediums, and her most recent transition was from a concentration on collage to Abstract Expressionist painting. In these examples, we see how her collage technique conveys a sense of memory, in that that materials peel back to reveal layers of history in the way that an aging wall might. Dryden is inspired by European architecture and has been known to use forgotten posters papered over multiple times culled from those very walls.

Yet the work is never dusty or antiquated. Although it knowingly references the past, it is entirely fresh and new in its impact; created for the moment. Dryden invigorates her surface through a kinetic process: “I plunge into each piece of work as if it were an adventure into the unknown. With no specific outcome in mind, I respond to the changes in the picture as I explore and interact with materials by layering paint and paper, scratching, sanding, and marking, creating open spaces, altering and adjusting. I move between intuition and logic; chaos and order. Being aware and open, taking risks with the materials, as well as the struggle itself allows me to be in the moment to reflect and interpret a history that evolves on the canvas before my eyes.”

"Line Study," by Teri Dryden, acrylic on paper, 48x30in, 2017, $450

In her paintings, the energetic mark making nearly explodes off of the surface. “Line Study” gives us a glimpse of the artist’s unchecked enthusiasm, a vital, almost assaultive lay down of, bold and vigorous graphics. In “Gypsy Tango,” the energy is only tempered slightly by the layers of vivid acrylic color built up on the mounted paper surface. In both instances, it is not difficult to imagine the artist in action, sweeping gestures of the hand meeting the substrate, leaving a palpable presence in the finished work.

Dryden just returned from showing her work at the Objects of Art Santa Fe 2017 in New Mexico. Presently, she has work in a group landscape show at New Editions Gallery in Lexington. In addition, for the month of October, she will have work at the Robert-Brandt Gallery in Columbus, Ohio for a juried invitational featuring abstract art.

Hometown: Annapolis, MD
Education: Towson University
Website: http://www.teridryden.com
Gallery Representative: View Gallery (Jackson, MS); New Editions, (Lexington, KY); B. Deemer (Louisville, KY); Contemporain Gallery, (Baton Rouge, LA)

"Gypsy Tango," by Teri Dryden, acrylic on paper, mounted on panel and framed, 47x36in, 2017

"Buena Vista", by Teri Dryden, collage on panel, 18x24in, 2017 — "Buena Vista", by Teri Dryden, collage on panel, 18x24in, 2017

"Shift," by Teri Dryden, acrylic on canvas, 20x20in, 2017

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Painting

Vignette: Barbara Tyson Mosley

Josh Jenkins · March 2, 2017

"Awakening - Rise and Embrace the Morning" by Barbara Tyson Mosley, 24x48in, acrylic on canvas (2017), $1500 | BUY NOW — *"Awakening - Rise and Embrace the Morning" by Barbara Tyson Mosley, 24x48in, acrylic on canvas (2017), $1500 | BUY NOW*

We have observed that quite often fiber artists work like painters, but Barbara Tyler Mosley is a painter whose work might put you in mind of some fiber artists. Of course, the comparison assumes the intuitive manipulation of plastic medium is, while not unique to the act of painting, at least a defining characteristic. Mosley’s mark-making application is both organic and highly structured.

Her abstract landscapes are vibrant with color. “These works harmoniously emphasize the relationship between earth, sea, and sky,” it states in Mosley’s Artist’s Statement. “As she quickly works on canvas manipulating the paint to reflect light and color changes, the viewer’s eye sees a playground of color and movement as she expands the scale of color and line.”

In the tightly constructed layers of that color and line we can see the echo of the hand stitching of a textile artist, allowing repetition of the mark to create visual texture in the manner of thread stitched through fabric. This repetition carries through the strict, 12” x 12” dimensions of the individual paintings in the series, so that a perspective from a distance puts us in mind of quilt construction.

"Moonlight is Yellow" by Barbara Tyson Mosley, 12x12in, acrylic on canvas (2016), $500 | BUY NOW — *"Moonlight is Yellow" by Barbara Tyson Mosley, 12x12in, acrylic on canvas (2016), $500 | BUY NOW*

But Mosley is still, determinedly, a painter, boasting a highly developed point-of-view on the integration of representational and abstract.

Mosley’s current exhibit, "12 x 12 Plus" will be at KORE Gallery at the Mellwood Art Center in Louisville through February 28, 2017. She will then be showing more of the 12 x 12 paintings at the New Edition Gallery in Lexington, KY through the month of March. This fall, she will be exhibiting with Tomisha Allen in September and October of 2017 at the Wayside Expressions Gallery, Louisville, KY.

"Evening Calm" by Barbara Tyson Mosley, 12x12in, acrylic on canvas (2016), $500 | BUY NOW — *"Evening Calm" by Barbara Tyson Mosley, 12x12in, acrylic on canvas (2016), $500 | BUY NOW*

Permanent Collections:
PNC Bank Tower, Contemporary Ethnic Dolls, Pittsburgh, PA
Heritage Art Center Gallery, Lexington, KY
The University of Virginia Medical Center, Charlottesville, VA
The Corcoran Gallery of Art (Evans-Tibbs Collection), Washington, DC
The Fine Arts Institute, San Bernardino Museum of Art, Redlands, CA
The International Multicultural Fine Arts Exchange Foundation, Washington, DC

Hometown: Harrisburg, Pennsylvania
Education: BA, Studio Art, Painting, University of the District of Columbia, Washington, DC, 1985; MA in Liberal Studies Degree (Humanities; 20th Century Art History) Georgetown University, Washington, DC, 1990; MFA Candidate, Design George Washington University, Washington, DC, 2002-2004

"In the Night" by Barbara Tyson Mosley, 12x12in, acrylic on canvas (2016), $500 | BUY NOW — *"In the Night" by Barbara Tyson Mosley, 12x12in, acrylic on canvas (2016), $500 | BUY NOW*

"Morning Coffee and Caramel Tea" by Barbara Tyson Mosley, 24x36in, acrylic on canvas (2014), $650 | BUY NOW — *"Morning Coffee and Caramel Tea" by Barbara Tyson Mosley, 24x36in, acrylic on canvas (2014), $650 | BUY NOW*

"The 13th of Friday" by Barbara Tyson Mosley, 36x48in, acrylic on canvas (2013), $2500 | BUY NOW — *"The 13th of Friday" by Barbara Tyson Mosley, 36x48in, acrylic on canvas (2013), $2500 | BUY NOW*

Drawing, Painting

Vignette: Joshua Jenkins

Josh Jenkins · January 27, 2017

*"Three Kings No. 2" by Joshua Jenkins, 52 x 41 x 1 in, acrylic and mixed media on canvas (2016)*

For his upcoming show at Kore Gallery in Louisville, painter Joshua Jenkins has been creating a body of work that shows him shifting from the energetic, bold color and mark making that has long characterized his work. A softer approach to outlining form and a comparatively muted color palette rendered in broad washes of acrylic paint has dominated his technique since the end of summer 2016.

“Seeing a muted color pallet can seem calming to the viewer,” explains Jenkins, “but once you look closer at the surface, you can see a juxtaposition of more complex emotions with anxious line work subtly radiating through each canvas. The subject matter of each work focuses on the abstraction of the sorrowful human form in contrast with a slight homage to nature…”

*"Drawing #18" by Joshua Jenkins, 9.5 × 7.5 in, graphite and watercolor on paper (2016)*

It is in that balance that Jenkins finds contentment, a location that inspired the title of the new exhibit: Somewhere In Between Anxiety and Serenity. “Joys and upsets always seem to come hand in hand. Keeping in mind the current political climate of our country and the world as a whole, along with my own personal life experiences, I wanted to explore the contrasting feelings of fear and happiness. It seems as though neither emotion can shine without the other lingering in the background.”

The artist is featured in the January 2017 issue of Kentucky Homes & Gardens (Louisville). The article is about Carriage House Interiors and their 2016 Homearama design that prominently featured two of Jenkins’ paintings.

The Great Meadows Foundation recently awarded an Artist Professional Development Grant to Jenkins. He will be using the grant money to visit Los Angeles for the first time.

Jenkins has also been accepted to showcase his work at Mellwood Art Center's March Art Show on March 4th & 5th.

Hometown: Poughkeepsie, NY
Age: 29
Education: BA in Digital Media with a Minor in Studio Art, Marist College (Poughkeepsie, New York)
Website: http://www.joshuajenkinsart.com
Gallery Representative: Joshua is self-represented locally, but is represented by New Editions Gallery in the Lexington area

*"Birds Flying High" by Joshua Jenkins, 40 x 40 x 1.5in, acrylic and mixed media on canvas (2016)*

*"A Moment of Disbelief" by Joshua Jenkins, 40 x 36 x 1in, acrylic and mixed media on canvas (2016)*

*A detail of an untitled work by Jenkins.*

*"Wondering What Just Happened" by Joshua Jenkins, 24 x 18 x 1.5in, acrylic and mixed media on canvas (2016) $750*

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Painting

Vignette: Teri Dryden

Josh Jenkins · October 14, 2016

"Echo" by Teri Dryden, 40x40in, acrylic on canvas, $2400 | BUY NOW — *"Echo" by Teri Dryden, 40x40in, acrylic on canvas, $2400 | BUY NOW*

A line disintegrates into a smudge, which then blends into a new color, while an opposing stroke swipes across the canvas with ferocity. Teri Dryden works from such an intuitive, emotional creative spark that her paintings can only be seen as Abstract Expressionism, but, as with many such artists, the phrase seems limiting and only useful for academic discussion. The Museum Of Modern Art describes it this way: “The varied work produced by the Abstract Expressionists resists definition as a cohesive style; instead, these artists shared an interest in using abstraction to convey strong emotional or expressive content.”

That explanation certainly would seek to capture Dryden’s own action painting, with vigorous marks and color choices that invite the viewer to read a confluence of emotions applied to the canvas with a modicum of intellectual framework. “Echo” feels sunny and optimistic, full of hope, while “Twist and Shout” explores anxious energy in restricted release.

"Dive In" by Teri Dryden, 36x48in, acrylic on canvas, $2500 | BUY NOW — *"Dive In" by Teri Dryden, 36x48in, acrylic on canvas, $2500 | BUY NOW*

"Arden" by Teri Dryden, 40x40in, acrylic on canvas, $2400 | BUY NOW — *"Arden" by Teri Dryden, 40x40in, acrylic on canvas, $2400 | BUY NOW*

“My artwork is process oriented. I begin each picture with a line. I have no specific outcome in mind. I respond to the changes in the painting as I explore and interact with materials by layering paint and paper, scratching, sanding and marking, creating open spaces, altering and adjusting. I move between intuition and logic, chaos and order. Being aware and open, taking risks with the materials, as well as the struggle itself allows me to have a more meaningful painting experience and often leads to a greater self-awareness. My goal is to create work that is authentic and genuine.”

Dryden is currently part of a group show called "Mix it Up", New Work by Gallery Artists at New Editions Gallery in Lexington, now through October 2016.

Hometown: Annapolis, MD
Age: 58
Education: Towson University
Website: http://www.teridryden.com
Gallery Representative: View Gallery (Jackson, MS); New Editions, (Lexington, KY); B. Deemer (Louisville, KY)

"Sunday Afternoon Promenade" by Teri Dryden, 24x30in, acrylic on canvas, $1400 | BUY NOW — *"Sunday Afternoon Promenade" by Teri Dryden, 24x30in, acrylic on canvas, $1400 | BUY NOW*

"Twist And Shout" by Teri Dryden, 40x40in, acrylic on canvas, $2400 | BUY NOW — *"Twist And Shout" by Teri Dryden, 40x40in, acrylic on canvas, $2400 | BUY NOW*

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new editions gallery

Vignette: Jaime Corum

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Vignette: Teri Dryden

“I move between intuition and logic; chaos and order.” – Teri Dryden

Vignette: Barbara Tyson Mosley

Vignette: Joshua Jenkins

Vignette: Teri Dryden