printmaking

Public Radio

Artists Talk with LVA: January 4, 2024

Carnegie Center for Art & History opened "Intentionally Intimate: The Choice to Work Small," which runs through March 16 & the artists, Wendi Smith, Nancy Currier, Caroline Waite, Kay Grubola, and Rachel Singel joined us this week.

Wendi Smith’s work has been exhibited regionally for over thirty years. She has been a member of local co-ops Zephyr and PYRO Gallery, as well as a supporter of the local arts scene. Exhibit credits include Four Star Gallery in Indianapolis, the Carnegie for the Arts in Cincinnati, and Zephyr Gallery in Louisville. She has taught fine arts at Bellarmine University and Indiana University Southeast.

Nancy Currier is a painter who also creates drawings and mixed-media sculptures. She grew up around art as the daughter of the esteemed Louisville painter Mary Ann Currier. She also has taught art at Louisville's Foster Traditional Academy.

Caroline Waite is from an English village called Cookham Dean, known for its famous and eccentric resident, wartime artist Stanley Spencer whose stylized scenes in the 1940s of Cookham village life and residents have hung in the nation's leading museums. He described Cookham as a “village in Heaven”.

In England, Waite taught at Northbrook College, Sussex North East Wales University Telford College, Shropshire. Since moving to the U.S. in 2001, she has lived in Texas and New Mexico but prefers her current home Louisville.

Kay Polson Grubola is an artist and independent curator in Louisville, Kentucky. Creating assemblages using natural found objects, Grubola’s work is a celebration of nature. The work is also an allegory for the natural process of human life, both its ascendance and its decline. She has shown her work nationally and internationally. 

Grubola was the Executive Director of Nazareth Arts, a regional arts center on the campus of the Sisters of Charity of Nazareth in Kentucky, as well as the Artistic Director of the Louisville Visual Art Association.  For 10 years she taught drawing and printmaking at Bellarmine University and Indiana University Southeast. 

Rachel Singel is a printmaker and faculty at the Hite Institute at the University of Louisville. Rachel has participated in residencies at the Penland School of Crafts, the Venice Printmaking Studio, the Scuola Internazionale di Grafica, and Art Print Residence in Barcelona. As an artist interested in working using non-toxic methods, Singel, has studied with the founder Grafisk Eksperimentarium studio in Andalusia in 2018 and worked as a resident artist at Wharepuke studio in New Zealand.

Public Radio

Artists Talk with LVA: December 8, 2022

Lindsay Frost & Deborah Stratford tell us about their exhibit, "Women Carving" at Kore Gallery. Tune in to WXOX 97.1 FM/Artxfm.com each Thursday at 10 am to hear Artists Talk with LVA.

Lindsay Frost is a wood sculptor affiliated with the Kentucky Guild of Artist and Craftsman, Louisville Artisans Guild, Louisville Visual Art, & Kentucky Crafted/ Kentucky Proud. In 2022 she was selected by LVA to create the 2022 LVA Honors Awards.

Deborah Stratford is a printmaker, specifically, relief printmaking, in which she carves the surface of linoleum or wood.

“I often look around and think for a long time about how my observations tell a story. This I tell with a collection of objects, places, people, and animals printed. My hope is that my work encourages others to look deeper and longer at what surrounds them.” - Deborah Stratford

Women Carving is on exhibit December 1 - 30, 2022 At Kore Gallery with an artists reception December 10 from 6-8:30 pm

Public Art

Artebella On The Radio: September 10

118715115_10157256546731831_4964359405352585760_o.jpg

Art in the Time of COVID-19 is an on-line exhibit for the Portland Museum curated by Bailey 0'Leary and featuring the work of Jeribai Andrew-Jaja, Rachel Singel, & Erica Lewis. All four join us for an interview on this week's show. Tune in to WXOX 97.1 FM, or stream on Artxfm.comThursday mornings at 10:00am to listen to LVA's Artebella on the Radio.

Art in the Time of COVID-19, a digital exhibition now being featured on Facebook and Instagram social media platforms.

Art in the Time of COVID-19 details three artists' experience of the novel coronavirus pandemic; 

Bailey O’ Leary, the Curator, is an MFA candidate in Curatorial Studies at the University of Kentucky.

Jeribai Andrew-Jaja is a Nigerian-born artist but currently;y living in Louisville, Kentucky.

Rachel Singel is an Associate Professor at Hite Art Institute, University of Louisville. She has participated in residencies in Italy, Spain, New Zealand.

Erica Lewis is an MFA candidate and graduate teaching assistant at the Hite Art Institute at the University of Louisville.

Multi-Media

Vignette: 2018 Hadley Prize Recipient KCJ Szwedzinski

The Community Foundation of Louisville, in partnership with Louisville Visual Art, is pleased to announce that Louisville-based multi-media artist KCJ Szwedzinski is the winner of the sixth annual Mary Alice Hadley Prize for Visual Art. The $5,000 award is an opportunity for local artists to enhance their careers through a targeted enrichment experience of their own design.

unnamed (2).jpg

Szwedzinki’s submission outlines a series of research trips, “designed to synthesize seemingly disparate bodies of knowledge (and) archival practices for historical information and my personal inherited legacies.” Her intention is to, “broaden my ability to make work that is rooted in my own Judaic heritage, while facilitating engagement of a more universal audience.” Her itinerary is:

·      Seven days in San Francisco to visit the Jewish Contemporary Museum and The Holocaust   Center.

·      Fourteen days in Washington DC and Philadelphia to visit the United Sates Holocaust Memorial Museum and Archives (DC) and to take a six-day course, entitled “The History of Artists’ Books since 1950”, at the Rare Book School (Philadelphia).

·      Three days at the Genealogy Center in Fort Wayne Indiana

"The Klezmer Step | Glass Study" by KCJ Szwedzinski, Enamel on glass, 22x22in, 2018

"The Klezmer Step | Glass Study" by KCJ Szwedzinski, Enamel on glass, 22x22in, 2018

Memory is a central preoccupation of art in the early years of the 21st century. Perhaps it is the turning of the century, or perhaps it is because we can now look further into our immediate past than earlier periods. The last 100 or more years have allowed a continuum of understanding and a voracious appetite for ongoing social narrative that is endlessly fed by digital technology. That continuum is important to Szwedzinski:

“Every time a story is retold it takes on a new life,” she states. “Simultaneously preventing that information from being lost to history while slowly transforming into something new altogether. These mechanisms for transmission slowly shape collective memory across time and ultimately have a huge hand in shaping personal identity. These are the tools and teachers of belief and belonging. My work reflects on belonging, displacement, and the shifting nature of narrative across time and considers the intersection of art, belief, ethics, and atrocity.”

“Printmaking, glassblowing, and kiln forming are the main processes I use in my
work. Although producing very different visual results, print and glass have
historically played a large role in the documentation of history and the passing on
of stories. From the printing press to the spreading of political propaganda,
printmaking has always disseminated information to multiple people. Glass as a
material often goes unacknowledged but plays a huge role in informing our
experience of the world, whether its creating barriers to keep us safely in or to
isolate information and objects within a museum or archive setting. I particularly
find it interesting that glass and printmaking have been silent, but active,
witnesses throughout history and as an artist concerned with legacy, these
processes both present rich and dynamic stories that support the concepts I
choose to work with.”

Szwedzinski will be interning at the Museum of Glass in Tacoma Washington for the months of July and most of August. 

Louisville Visual Art will honor KCJ Szwedzinski on Thursday, June 21, from 5:30-7:00 p.m. in their Portland gallery at 1538 Lytle Street, 40203. The reception is free and open to the public.

"Woven Debka and Klezmer Step" by KCJ Szwedzinski, Graphite on stonehenge, 50x38in, 2018

"Woven Debka and Klezmer Step" by KCJ Szwedzinski, Graphite on stonehenge, 50x38in, 2018

Recent exhibitions (2018):

·      Doors: A Collaborative Book Project, University of Louisville, KY

·      Blue Grass Bienniel: A Juried Exhibition of Kentucky Artists, Claypool-Young Art Gallery, Morehead, KY

·      Glass Art Society International Online Student Exhibition

·      Freeze State: Disassociating From the Here and Now, print exchange and exhibition (co-curator),
Louisville, KY (upcoming)

·      It’s Your World: Art About the Future of Community, 1619 Flux: Art + Activism, Louisville, KY (Juried)

·      What’s the Theme?, OPEN Community Arts Center, Louisville, KY (Group Show)

·      OH + 5: Ohio Border 10th Biennial, Dairy Barn Arts Center, Athens, OH (Juried)

Hometown: Jacksonville Florida
Education: MFA candidate. University of Louisville, Louisville, KY (expected May 2019); BA cum laude, Art History and Printmaking, University of North Florida, Jacksonville, FL, 2009
Website: www.kcjszwedzinski.com

Scroll down for more images

image3.jpeg
"Coincidence of Opposites I" by KCJ Szwedzinski, Stonehenge paper, steel, 11x15x9in, 2018

"Coincidence of Opposites I" by KCJ Szwedzinski, Stonehenge paper, steel, 11x15x9in, 2018

"Coincidence of Opposites II" by KCJ Szwedzinski, Stonehenge paper, steel, 11x15x9in, 2018

"Coincidence of Opposites II" by KCJ Szwedzinski, Stonehenge paper, steel, 11x15x9in, 2018

Are you interested in being on Artebella? Click here to learn more.

calltoartists2.jpg

Written by Keith Waits. Entire contents copyright © 2018 Louisville Visual Art. All rights reserved.