“The natural world is truly remarkable and we are an intimate part of this environment.” — Brett Sutton

"Neighborhood Runoff" by Brett Sutton, size made to order, film photography (2016), from $85 and up | BUY NOW — *"Neighborhood Runoff" by Brett Sutton, size made to order, film photography (2016),* from $85 and up | BUY NOW

Even a casual study of these photographs from Brett Sutton reveal the common thread of patterns in nature. The black & white images of the city illustrate humankind’s imprint of construction on the urban landscape, the latticework reinforcement of a fire escape and the shadows cast by the late afternoon sun. Sutton crops the main support of the structure out of frame, lending it an unexpected tension.

“While working at Luna Lodge, an eco-lodge retreat on the Osa Peninsula, Costa Rica, I was granted the opportunity to truly connect with the landscape, flora and fauna. The natural world is truly remarkable and we are an intimate part of this environment.”

Sutton’s images of the natural world share that same fascination with pattern, but the color places a greater emphasis on texture, and there is a more epic sense of composition in many of the pictures. He also seeks out unique vantage points; as he explains: “(they can be) hugely important when considering how one connects to and interprets reality, location, and relationship.” He achieves some mystery through abstraction, just as he cropped the fire escape, we here see two runners moving across a mercurial landscape that we can’t quite place, a scene bisected by an indefinable graphic element that visually appears to stop the joggers in their tracks.

"Costa Rican Leaf Cutter Ants" by Brett Sutton, size made to order, film photography (2017), from $85 and up | BUY NOW — *"Costa Rican Leaf Cutter Ants" by Brett Sutton, size made to order, film photography (2017), from $85 and up | BUY NOW*

“Not only is my zest for life and vitality enhanced through my creative pursuits but to my connections with others…location, and the environment as well. Whether working in film or digital photography, oil paint, or collages of the bark of decaying trees, I attempt to deliver messages of local-ism, connection to the land, and textural nuance.”

Hometown: Covington, Kentucky
Age: 29
Education: BA, History & Fine Arts from Xavier University (Cincinnati)
Website: https://brettmsutton.wordpress.com

"White Sands National Monument" by Brett Sutton, size made to order, film photography (2017), from $85 and up | BUY NOW — *"White Sands National Monument" by Brett Sutton, size made to order, film photography (2017), from $85 and up | BUY NOW*

"Fire Escape" by Brett Sutton, size made to order, film photography (2017), from $85 and up | BUY NOW — *"Fire Escape" by Brett Sutton, size made to order, film photography (2017), from $85 and up | BUY NOW*

Are you interested in being on Artebella? Click here to learn more. — *Are you interested in being on Artebella? Click here to learn more.*

Photography

Vignette: Sid Webb

Josh Jenkins · May 30, 2017

“I think of art as making a statement about the artist’s time and place and/or turning points in techniques and tools that give the next generation of artists a new outlook.” — Sid Webb

"Skipping" by Sid Webb, 10x27in, photograph (2011), $89 | BUY NOW — *"Skipping" by Sid Webb, 10x27in, photograph (2011), $89 | BUY NOW*

Sid Webb creates in a variety of mediums, and today we see some of his photographs. “I have taken nearly 100,000 photographs,” claims Webb, “and although I am tempted by beaches, mountains, sunsets, and sunrises and their breath-taking beauty as much as anyone, I rarely find lasting substance in such images. We can count the significant landscape photographers on one hand. Landscape painters fare a little better because technique and interpretation come into play.”

Webb prefers people as subjects for his camera. Here we see a young boy approaching a large 17th-century canon at Castillo de San Marcos in St. Augustine with appropriate trepidation, sheepishly inching his foot forward, a look eager anticipation mixed with supreme caution on his face. The shot is from a distant, raised point-of-view, and if the child had a clue he was being photographed, would he have been so expressive?

"Cigar Roller" by Sid Webb, 11x17in, photograph (2013), $45 | BUY NOW — *"Cigar Roller" by Sid Webb, 11x17in, photograph (2013), $45 | BUY NOW*

The locations here cover a range of territory, from Germany to Portugal, and Webb’s camera finds the ordinary, universal truths of people instead of the divisive artificial barriers that arise from nations and politicians. Webb sees people experiencing the wonders of the world as a respite from their normal, daily existence.

“It is my feeling that about 80 percent of creating art is the process of making it,” says Webb. “By which I mean just being focused and absorbed in the process of creation. Another 15 percent or so has to do with skill and craft, and 5 percent is drawn from our sensitivity to the world around us and how finely tuned we are to form and balance and color. Somewhere in this mix is a bit of rational thinking and reasoning that lead us in deciding subject matter and content. Generally, artists are thought of as being creative and original. And artists think of themselves in those terms, too.”

Hometown: Lexington, KY
Education: Majored in journalism and political science, University of Kentucky; Atlanta School of Art (High Museum)
Website: http://www.sidwebb.com/

"Boys and Guns" by Sid Webb, 11x17in, photograph (2014), $45 | BUY NOW — *"Boys and Guns" by Sid Webb, 11x17in, photograph (2014), $45 | BUY NOW*

"Fairy Dust" by Sid Webb, 11x17in, photograph (2013), $45 | BUY NOW — *"Fairy Dust" by Sid Webb, 11x17in, photograph (2013), $45 | BUY NOW*

Photography

Vignette: Kevin Warth

Josh Jenkins · April 26, 2017

“Resisting normative constructions of time, I examine moments in which the past, present, and future collapse upon each other.” — Kevin Warth

When one says “digital” it tends to suggest clean, polished audio and visual product - the pristine clarity of the CD, or the magical ability to animate entire worlds in your favorite blockbuster movie. Yet there are legions devoted to the warmth and subdued crackle of analog technologies. Vinyl, for example is still first choice for many.

Kevin Warth’s photographs here are exposed and confessional self-portraits that have the feel of x-rays. The intentionally distressed images seem furtive and from a by-gone time, recalling vintage pornography and early experiments in multiple exposure techniques, so that we find Warth delivering a suitable marriage of theme and technique.

“My work explores temporality, memory, and the body through self-portraiture. Resisting normative constructions of time, I examine moments in which the past, present, and future collapse upon each other. My body becomes a vehicle for memory as the past haunts the present. These images are tangible yet insubstantial. I use alternative and historic photographic processes alongside current digital methods of image making to further complicate and queer linear time. Moments are not discrete or bound to sequential time; rather, they bleed into other timelines in unexpected, jarring ways.”

"Echoes" by Kevin Warth, dimensions variable, photo transfer on glass (2016), $500 | BUY NOW — *"Echoes" by Kevin Warth, dimensions variable, photo transfer on glass (2016), $500 | BUY NOW*

"I Am Consumed By Specters" by Kevin Warth, 16x20in, kallitype (2015), $400 | BUY NOW — *"I Am Consumed By Specters" by Kevin Warth, 16x20in, kallitype (2015), $400 | BUY NOW*

Warth is a recent graduate of the University of Louisville’s Allen R. Hite Institute, where he had received the Mary Spencer Nay Memorial Scholarship, the Allen R. Hite Scholarship, the Barbara Bullitt Christian Memorial Scholarship in Photography, and the Allen Memorial Prize in Creative Art.

On May 4th, Warth will be participating in Rainbows & Roses, a benefit show to raise money for Louisville's future LGBTQ+ Community Center. On June 2, he will organize/participate in Queer Voices, another charity show to be held at OPEN Community Arts Center in which a percentage of the work sold will be donated to a local LGBTQ charity in remembrance of those lost in the Orlando nightclub shooting.

Hometown: New Albany, Indiana
Age: 24
Education: BFA in 2D Studios and BA in Art History, University of Louisville, 2016
Website: http://www.kevinwarth.com
Gallery Representation: garner narrative contemporary

"Un" by by Kevin Warth, 7x7in, ambrotype (2015), $750 | BUY NOW — *"Un" by by Kevin Warth, 7x7in, ambrotype (2015), $750 | BUY NOW*

"I Am Consumed By Him" by Kevin Warth, 16x20in, kallitype (2015), $400 | BUY NOW — *"I Am Consumed By Him" by Kevin Warth, 16x20in, kallitype (2015), $400 | BUY NOW*

"Deux" by Kevin Warth, 7x7in, ambrotype (2015), $750 | BUY NOW — *"Deux" by Kevin Warth, 7x7in, ambrotype (2015), $750 | BUY NOW*

Photography

Vignette: Kent Krugh

Josh Jenkins · April 21, 2017

“The tools of the trade, having faithfully imaged for decades, have themselves been imaged.” — Kent Krugh

"Univex Mercury I Model CC" by Kent Krugh, 13x19in, x-ray archival pigment print (2016), $400 | BUY NOW — *"Univex Mercury I Model CC" by Kent Krugh, 13x19in, x-ray archival pigment print (2016), $400 | BUY NOW*

Introspection, that ability for self-examination unique to humanity, is nothing new for an artist - It’s what lies at the core of many artists’ motivation. In these new images from photographer Kent Krugh, he goes Meta with the concept, deconstructing the camera and pondering the essential nature of his equipment instead of himself.

“This work uses x-rays to explore the microevolution of cameras and is a metaphor about the limits of evolution. While form and media may have changed, the camera is still a camera: a tool to create images by capturing photons of light. Today’s sophisticated digital cameras look and operate far differently than the first cameras of the nineteenth century, however the essentials have not changed. The photographer points a contraption with a lens towards the subject to encode its likeness on a storage medium, be it film or digital sensor. And this contraption has been manufactured in many wonderful and clever designs, the complexity usually hidden inside. While making these x-rays, I have been surprised and astonished by what I found inside the cameras. The lens, when imaged from the side, contains a multi-element train of perfectly shaped glass forms whose purpose is to collect and direct light towards the target.

"Speed Graphic" by Kent Krugh, 13x19in, x-ray archival pigment print (2016), $400 | BUY NOW — *"Speed Graphic" by Kent Krugh, 13x19in,* *x-ray archival pigment print (2016), $400 | BUY NOW*

Speciation is the process where new species can arise when populations are reproductively isolated. The can be due to random mutations and natural selection, or hybridization between closely related species. This process has been documented by many and is difficult to deny. Many insist that this is indeed evidence of evolution in action—given enough time this same process has given rise to all forms of life on earth. And many also insist that this process can indeed produce species and variation within species, but this is the limit of evolution—no one has ever seen a dog produce a non-dog. So, to close the loop—a camera is still a camera, though tremendous diversity exists.

"Keystone K-8" by Kent Krugh, 13x19in, x-ray archival pigment print (2016), $400 | BUY NOW — *"Keystone K-8" by Kent Krugh, 13x19in, x-ray archival pigment print (2016), $400 | BUY NOW*

In quite another sense, this project pays homage to the cameras I have owned, used, or handled. The tools of the trade, having faithfully imaged for decades, have themselves been imaged. The resulting images align with an inner desire to probe those unseen spaces and realms I sense exist, but do not observe with my eyes.”

Krugh’s work can be seen right now at the Cincinnati Art Galleries in the exhibit Return to Beauty: Asian Influence on Contemporary Landscape Art, March 3l April 22, and later this year at the Center for Fine Art Photography, Ft. Collins, Colorado in Black & White, which will run July 7-August 19.

In 2016, he was a part of, Inside the Gate, Museo de Artes Plásticas Eduardo Sívori, Buenos Aires, Argentina.

Hometown: Cincinnati, Ohio
Age: 61
Education: MS, Radiological Sciences, University of Cincinnati, 1978 BA, Physics, Ohio Northern University, 1977
Gallery Representation: Gallery on Wade, Toronto, Ontario; Costello-Childs Gallery, Scottsdale, AZ; Gallery 708, Cincinnati, OH
Website: http://www.kentkrugh.com

"Nikon D300" by Kent Krugh, 13x19in, x-ray archival pigment print (2016), $400 | BUY NOW — *"Nikon D300" by Kent Krugh, 13x19in, x-ray archival pigment print (2016), $400 | BUY NOW*

"Polaroid 440" by Kent Krugh, 13x19in, x-ray archival pigment print (2016), $400 | BUY NOW — *"Polaroid 440" by Kent Krugh, 13x19in, x-ray archival pigment print (2016), $400 | BUY NOW*

"Mamiyaflex C2" by Kent Krugh, 13x19in, x-ray archival pigment print (2016), $400 | BUY NOW — "*Mamiyaflex C2" by Kent Krugh, 13x19in, x-ray archival pigment print (2016), $400 | BUY NOW*

Photography

Vignette: Mark Lenn Johnson

Josh Jenkins · April 11, 2017

"Lesedi" by Mark Lenn Johnson, multiple sizes available, photography (2017), price varies — *"Lesedi" by* *Mark Lenn Johnson, multiple sizes available, photography (2017), price varies*

Artist, Mark Lenn Johnson — *Artist,* *Mark Lenn Johnson*

Mark Lenn Johnson’s Fountainfalls series are photographs of drops of water impacting onto a liquid surface with startling drama and beauty. The extreme close-ups show us something we don’t see every day, and the highly reflective dispersal patterns shot through with intense color look more like glass than water. As Johnson is also a glass artist, this makes sense.

“All of my work, whether it is in glass, creative photography or abstract painting, is the physical manifestation of my intrigue, my captivation, my obsession with color,” explains the artist. “I see my glassmaking process as being much more rigid, orderly, patient and well defined while my painting, in all of its abstract audaciousness, requires a much less systematic and structured approach. My creative photography harnesses aspects from both of these processes. In its own right being systematic and methodical while, at the same time, yielding a completely random, arbitrary and ungovernable outcome. All three, however, are equally important to me and equally necessary and contribute to an all-important sense of balance in my life. Ultimately, I aspire to create art that stirs viewers to a deeply emotional response, even if it's only subconscious – a fitting acknowledgment to work that I hope is considered beautiful by everyone while at the same time being significant to the individual.”

"Cia" by Mark Lenn Johnson, multiple sizes available, photography (2017), price varies — *"Cia" by* *Mark Lenn Johnson, multiple sizes available, photography (2017), price varies*

Several images from Johnson’s Fountainfalls Creative Photography Series were added to the permanent collection of Eastern Kentucky University's Library System and placed for display at the John Grant Crabbe Main Library. He is represented in Louisville by Kore Gallery at Mellwood Art Center, where his most recent solo art exhibit, "Nothing But Color!!!" was held in December 2016.

"Masika" by Mark Lenn Johnson, multiple sizes available, photography (2016), price varies — *"Masika" by* *Mark Lenn Johnson, multiple sizes available, photography (2016), price varies*

Johnson is being honored by Art Tour International Magazine as one of its Top 60 Contemporary Artists of the Year, in an Award Ceremony to be held in Florence, Italy on May 27, 2017.

Hometown: Lexington, Kentucky
Age: 49
Education: B.S., Mathematics - University of KY, Glassmaking instructional classes with Laura Hallock (Hallock's Stained Glass, Lexington) and Brook White, Jr. (Flame Run, Louisville), Photography instructional classes with John Snell (John Snell Photography, Lexington)
Website: Marklennjohnson.com
Facebook: Facebook.com/MarkLennJohnson
Instagram: Instagram.com/MarkLennJohnson

"Dayo" by Mark Lenn Johnson, multiple sizes available, photography (2016), price varies

"Fontana" by Mark Lenn Johnson, multiple sizes available, photography (2017), price varies — *"Fontana" by* *Mark Lenn Johnson, multiple sizes available, photography (2017), price varies*

Photography

Vignette: Brett Sutton

“The natural world is truly remarkable and we are an intimate part of this environment.” — Brett Sutton

Vignette: Sid Webb

“I think of art as making a statement about the artist’s time and place and/or turning points in techniques and tools that give the next generation of artists a new outlook.” — Sid Webb

Vignette: Kevin Warth

“Resisting normative constructions of time, I examine moments in which the past, present, and future collapse upon each other.” — Kevin Warth

Vignette: Kent Krugh

“The tools of the trade, having faithfully imaged for decades, have themselves been imaged.” — Kent Krugh

Vignette: Mark Lenn Johnson