This week Skylar Smith, Letitia Quesenberry, Gibbs Rounsavall, & Martin Benson talk about how their work communicates together in Not A Certainty But A Circumstance at Quappi Projects. Tune in to WXOX 97.1 FM/Artxfm.com each Thursday at 10 am to hear Artists Talk With LVA.
Skylar Smith is an artist, curator, and educator. Her work deals with micro and macro perceptions of the natural world, and human-scale politics that influence perception.
Smith’s work has been exhibited regionally and internationally, including at Sanskriti Kendra Foundation, New Delhi, India; and at the Sanbarbh Residency, Partapur, India. She has completed Artist Residencies in India at Sanskriti Kendra and Sanbarbh Residency; and Colegio Trener, an elementary school in Lima, Peru.
In 2020 Smith curated BallotBox, a contemporary art exhibition examining past and present voting rights with support from Kentucky Foundation for Women, Louisville Metro, Louisville Visual Art, and Great Meadows Foundation. BallotBox was on display in Louisville Metro Hall and at 21c Museum Louisville through March 2021.
Letitia Quesenberry lives and works in Louisville Kentucky. Through the play of material, process, surface and technology, Quesenberry creates hypnotic objects that extend the boundaries of visual perception. Her bright amalgamations contain layers of vibratory and translucent elements: color correction film, tinted resin, mica dust, coal slag, sanded plexiglass, fluorescent paint, LEDs. She tempers the impulse to understand her work conclusively by focusing on visibility, bewilderment, and the desire to celebrate uncertainty.
Gibbs Rounsavall is a Louisville-based geometric abstract painter who was featured as one of 13 artists in Louisville Magazine’s, “13 Artists You Need to Know Now” issue.
His work has been included in academic presentations on subjects from abstract art to urban climate change. He has appeared in print, radio, and online interviews and feature articles. He has been invited as a guest artist to speak at events for arts organizations and academic settings. Most recently in 2017, he spoke on the subject of Serendipity for the Creative Mornings monthly lecture series titled, “How to Become a Serendipitous Learner.”
Martin L. Benson’s exploration of the healing power of art has its roots in personal experience. Born in Georgia and raised in Kentucky, Benson’s college education was temporarily interrupted when he became seriously ill and had to return home. “[That experience] opened up my world to my spirituality, which fostered a healthier relationship with myself and the world,” says Benson.
Benson’s hunger for greater understanding and meaning led him to the ancient science of Sacred Geometry – the geometry used in the design of religious structures, sacred places, and religious art – and to the mathematical underpinnings of the cosmos. “Math’s universal language transcends linguistics, symbolism, and mythology, while at the same time remaining strongly connected to it,” says Benson. “Its inherent principles indicate the thumbprint of the creator.”
Not a Certainty But a Circumstance: April 29 - June 4
Letitia Quesenberry, Gibbs Rounsavall, Skylar Smith, & Martin Benson
