fish

Sculpture, Mixed Media

Vignette: Allison Schwartz

“Not all art needs to be so serious or grim, especially in today’s world.” – Allison Schwartz

"Sleepy" by Allison Schwartz, Ceramic, wood, expanding foam, faux fur, acrylic paint, flocking, 25x12.5x11in, 2017, $500

"Sleepy" by Allison Schwartz, Ceramic, wood, expanding foam, faux fur, acrylic paint, flocking, 25x12.5x11in, 2017, $500

‘Cute and cuddly’ is anathema in the world of ‘serious’ fine art. But these sculptural forms from Allison Schwartz dare to introduce the motif of domestic cats into the mix by embracing any perceived lack of gravitas with bright and bold colors and textures that cry out for you to run your fingers through them. Yet there is also something a little unorthodox in these feline characters, as Schwartz explains: 

"Brat" by Allison Schwarts, Ceramic, expanding foam, faux fur, acrylic paint, wood, flocking, 15x16x17.5in, 2017, $500 (base not included)

"Brat" by Allison Schwarts, Ceramic, expanding foam, faux fur, acrylic paint, wood, flocking, 15x16x17.5in, 2017, $500 (base not included)

“Sea is for Catfish is an installation of fictional creatures that are half cat and half fish, which is based off my love of felines and all aquatic creatures. The contradiction and uncanny nature of their ‘existence’ expresses the unnatural and non-native feeling of pure happiness in my life.” 

“Each sculptural catfish is a combination of ceramic, wood, expanding foam, faux fur and acrylic paint. I love creating texture and strive to reveal the unexpected – or in this case – very familiar textures. These catfish are covered with an extremely soft faux fur, enticing its viewer to interact.”

So Schwartz is more concerned with the visceral experience than any overriding intellectual thesis for her work, so that one might argue that it has a more important connection to expressionist traditions. The synthesis of two distinct species that are historically seen as being at odds communicates a subversive unease that reflects the artist’s own emotional struggles: “My work comes from a desire to connect with others without using words. Recently, I’ve been overcome with a sense of euphoria whereas I had been in a constant haze of anxiety. My hope is that the viewer walks away experiencing the same strange happiness I find daily.”

Schwartz is a recent graduate of Northern Kentucky University and just had work in the Main Gallery on that campus.

Age: 23
Hometown: Lancaster, Kentucky
Education: BFA, Spatial Arts, Northern Kentucky University School of the Arts, December 2017
Instagram: @al2lison

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"Cleaner" by Allison Schawrtz, Ceramic, expanding foam, faux fur, acrylic paint, wood, flocking, 16x15x13in, 2017, $500

"Cleaner" by Allison Schawrtz, Ceramic, expanding foam, faux fur, acrylic paint, wood, flocking, 16x15x13in, 2017, $500

"Scratcher" by Allison Schwarts, Ceramic, expanding foam, faux fur, acrylic paint, wood, flocking, 12.5x14x24in, 2017, $500 (tower not included)

"Scratcher" by Allison Schwarts, Ceramic, expanding foam, faux fur, acrylic paint, wood, flocking, 12.5x14x24in, 2017, $500 (tower not included)

"Large Cat Tower" by Allison Schwartz, Wood & foam, 32x24inx5ft, 2017, $500 (catfish not included - tower not built for real cats but could be adapted)

"Large Cat Tower" by Allison Schwartz, Wood & foam, 32x24inx5ft, 2017, $500 (catfish not included - tower not built for real cats but could be adapted)


Written by Keith Waits. Entire contents copyright © 2017 Louisville Visual Art. All rights reserved.

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Photography

Vignette: Ed Lawrence


“There’s something magical about creeks for me.” Ed Lawrence


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The cold, slate gray form of dead branch isolated against the warm green tones of trees reflected in a creek; the deceptively abstract quality we find In a close up point-of-view of minnows swimming in the shallow water of a creek bed; the organic cathedral formation of trees lining both sides of a woodland stream. These are but three Ed Lawrence images that make him the epitome of a fine nature photographer. His work captures both the grandeur and the intimacy of the Kentucky landscape in a context that borders on sacred.

Lawrence has worked in various mediums, but he returned to his early love of photography after retiring, shooting alongside his oldest son, who had discovered one of his father’s old film single lens reflex cameras. The two of them traveled together shooting, the son on film and the father digitally, and Lawrence’s passion was renewed. He considers himself less of a technician, saying: “I could care less about the world of apertures, f-stops, ISOs and metering.” Ed Lawrence just uses a camera to paint what he sees.

"Beals Run, Woodford County, KY" by Ed Lawrence, 19 x 13 in, inkjet print on archival matte paper (2016) $200 / $300 framed (limited edition of 10) | BUY NOW

"Beals Run, Woodford County, KY" by Ed Lawrence, 19 x 13 in, inkjet print on archival matte paper (2016) $200 / $300 framed (limited edition of 10) | BUY NOW

“There’s something magical about creeks for me,” he explains. “When I am in a creek, I feel like I am in a world of my own with meandering paths of water and rock protected by canopies of trees. Surrounded by the beauty of wildflowers along the bank, the wonder of birds, fish and fascinating creeping crawling things and the dappling light make creeks my place of reflection both literally and figuratively.”

“All seasons appeal to me. The brilliant colors of autumn leaves falling and sinking beneath the water, the ice and snow formations of winter and the pinks and blues and greens of spring growth transform the same site on the same creek into a very different place. My favorite sensation is the coolness of the air drifting downstream when the summer heat is otherwise unbearable.”

"Benson Creek, Franklin County, KY" by Ed Lawrence, 19 x 13 in, inkjet print on archival matte paper (2016) $200 / $300 framed (limited edition of 10) | BUY NOW

"Benson Creek, Franklin County, KY" by Ed Lawrence, 19 x 13 in, inkjet print on archival matte paper (2016) $200 / $300 framed (limited edition of 10) | BUY NOW

Lawrence will be one of the photographers in a group show at the City Gallery at the Downtown Arts Center, Lexington Kentucky Creeks - paintings and photographs by four Kentucky artists, which will run February 10 through April 2, 2017. He also has published book of photographs, “Kentucky 120” A county-by-county portrait of Kentucky, published by Zedz Press.

Hometown: Frankfort, Kentucky
Age: 67
Education: Studied fine art at the University of South Florida and Communications at the University of Kentucky but do not have a degree. My photography is for the most part self-taught.
Website: www.edlawrencephotography.com

"Hal Bryan's Creek, Franklin County, KY" by Ed Lawrence, 19 x 13 in, inkjet print on archival matte paper (2016) $200 / $300 framed (limited edition of 10) | BUY NOW

"Hal Bryan's Creek, Franklin County, KY" by Ed Lawrence, 19 x 13 in, inkjet print on archival matte paper (2016) $200 / $300 framed (limited edition of 10) | BUY NOW

"Brighton Branch, Franklin County, KY" by Ed Lawrence, 19 x 13 in, inkjet print on archival matte paper (2014) $200 / $300 framed (limited edition of 10) | BUY NOW

"Brighton Branch, Franklin County, KY" by Ed Lawrence, 19 x 13 in, inkjet print on archival matte paper (2014) $200 / $300 framed (limited edition of 10) | BUY NOW

"Elkhorn Creek, Woodford County, KY" by Ed Lawrence, 19 x 13 in, inkjet print on archival matte paper (2016) $200 / $300 framed (limited edition of 10) | BUY NOW

"Elkhorn Creek, Woodford County, KY" by Ed Lawrence, 19 x 13 in, inkjet print on archival matte paper (2016) $200 / $300 framed (limited edition of 10) | BUY NOW

Written by Keith Waits. Entire contents copyright © 2016 Louisville Visual Art. All rights reserved.

Are you interested in being on Artebella? Click here to learn more.

Are you interested in being on Artebella? Click here to learn more.