“There’s something magical about creeks for me.” — Ed Lawrence

The cold, slate gray form of dead branch isolated against the warm green tones of trees reflected in a creek; the deceptively abstract quality we find In a close up point-of-view of minnows swimming in the shallow water of a creek bed; the organic cathedral formation of trees lining both sides of a woodland stream. These are but three Ed Lawrence images that make him the epitome of a fine nature photographer. His work captures both the grandeur and the intimacy of the Kentucky landscape in a context that borders on sacred.

Lawrence has worked in various mediums, but he returned to his early love of photography after retiring, shooting alongside his oldest son, who had discovered one of his father’s old film single lens reflex cameras. The two of them traveled together shooting, the son on film and the father digitally, and Lawrence’s passion was renewed. He considers himself less of a technician, saying: “I could care less about the world of apertures, f-stops, ISOs and metering.” Ed Lawrence just uses a camera to paint what he sees.

"Beals Run, Woodford County, KY" by Ed Lawrence, 19 x 13 in, inkjet print on archival matte paper (2016) $200 / $300 framed (limited edition of 10) | BUY NOW — *"Beals Run, Woodford County, KY"* *by Ed Lawrence, 19 x 13 in, inkjet print on archival matte paper (2016) $200 / $300 framed (limited edition of 10) | BUY NOW*

“There’s something magical about creeks for me,” he explains. “When I am in a creek, I feel like I am in a world of my own with meandering paths of water and rock protected by canopies of trees. Surrounded by the beauty of wildflowers along the bank, the wonder of birds, fish and fascinating creeping crawling things and the dappling light make creeks my place of reflection both literally and figuratively.”

“All seasons appeal to me. The brilliant colors of autumn leaves falling and sinking beneath the water, the ice and snow formations of winter and the pinks and blues and greens of spring growth transform the same site on the same creek into a very different place. My favorite sensation is the coolness of the air drifting downstream when the summer heat is otherwise unbearable.”

"Benson Creek, Franklin County, KY" by Ed Lawrence, 19 x 13 in, inkjet print on archival matte paper (2016) $200 / $300 framed (limited edition of 10) | BUY NOW — *"Benson Creek, Franklin County, KY"* *by Ed Lawrence, 19 x 13 in, inkjet print on archival matte paper (2016) $200 / $300 framed (limited edition of 10) | BUY NOW*

Lawrence will be one of the photographers in a group show at the City Gallery at the Downtown Arts Center, Lexington Kentucky Creeks - paintings and photographs by four Kentucky artists, which will run February 10 through April 2, 2017. He also has published book of photographs, “Kentucky 120” A county-by-county portrait of Kentucky, published by Zedz Press.

Hometown: Frankfort, Kentucky
Age: 67
Education: Studied fine art at the University of South Florida and Communications at the University of Kentucky but do not have a degree. My photography is for the most part self-taught.
Website: www.edlawrencephotography.com

"Hal Bryan's Creek, Franklin County, KY" by Ed Lawrence, 19 x 13 in, inkjet print on archival matte paper (2016) $200 / $300 framed (limited edition of 10) | BUY NOW — *"Hal Bryan's Creek, Franklin County, KY" by Ed Lawrence, 19 x 13 in, inkjet print on archival matte paper (2016) $200 / $300 framed (limited edition of 10) | BUY NOW*

"Brighton Branch, Franklin County, KY" by Ed Lawrence, 19 x 13 in, inkjet print on archival matte paper (2014) $200 / $300 framed (limited edition of 10) | BUY NOW — *"Brighton Branch, Franklin County, KY" by Ed Lawrence, 19 x 13 in, inkjet print on archival matte paper (2014) $200 / $300 framed (limited edition of 10) | BUY NOW*

"Elkhorn Creek, Woodford County, KY" by Ed Lawrence, 19 x 13 in, inkjet print on archival matte paper (2016) $200 / $300 framed (limited edition of 10) | BUY NOW — *"Elkhorn Creek, Woodford County, KY" by Ed Lawrence, 19 x 13 in, inkjet print on archival matte paper (2016) $200 / $300 framed (limited edition of 10) | BUY NOW*

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Photography

Vignette: Judy Rosati

Josh Jenkins · January 23, 2017

"Buffalo (Custer)" by Judy Rosati, 16x20in, hand colored silver gelatin photograph (2015), $125 (matted & framed) | BUY NOW — *"Buffalo (Custer)" by Judy Rosati, 16x20in, hand colored silver gelatin photograph (2015), $125 (matted & framed) | BUY NOW*

Hand coloring black & white photographs may seem quaint or old-fashioned, yet in a time when we are inundated with digital imagery in our every waking moment, the virtues of such an approach are not difficult to understand: occasionally we need to rest our overexposed, weary eyes. Judy Rosati’s use of the technique has the effect of allowing us to view the busy world in slow motion and ponder what it must have been like before we were swallowed up by the media age.

"Old Faithful (Yellowstone National Park)" by Judy Rosati, 16x20in, hand colored silver gelatin photograph (2015), $125 (matted & framed) | BUY NOW — *"Old Faithful (Yellowstone National Park)" by Judy Rosati, 16x20in, hand colored silver gelatin photograph (2015), $125 (matted & framed) | BUY NOW*

Rosati’s approach has shifted recently to an even more informal, subjective use of color that introduces abstraction to what are determinedly representational images. In “Old Faithful” the familiar geyser in Yellowstone National Park is less tourist image than a study that blurs the distinctions of the natural world, rendering the kinetic motion as a surreal curtain being drawn across our field of vision, the subdued tones evoking nostalgia while simultaneously reducing depth and dimensionality.

Rosati shoots both film and digital, but her hand-colored photographs are printed from film negatives. “After the print is made, I use Marshall's Photo Oils and Prisma pencils, “ she explains. “My attempt to personalize my interpretation of the subject matter is evident by the spontaneous use of color, as well as the retention of some of the natural aspects of the original black, white and gray areas. No two photographs are exactly alike, making each one unique.”

"Geese in Winter" by Judy Rosati, 16x20in, hand colored silver gelatin photograph (2016), $125 (matted & framed) | BUY NOW — *"Geese in Winter" by Judy Rosati, 16x20in, hand colored silver gelatin photograph (2016), $125 (matted & framed) | BUY NOW*

The artist is the owner of Judy Rosati's Fine Arts Photography LLC, a juried member of Louisville artisan's Guild--co-liaison (photographer) to web curator, Jury committee member; scholarship committee juror. Rosati is a Juried member of Kentucky Crafted--regular juried artist in Kentucky Arts Council shows, and an Artist member of Louisville Visual Art. She was a digital photography Instructor in Bellarmine's School of Continuing & Professional Studies for 11 years, and still gives private digital photography instruction.

Rosati’s work will be a part of the Kentucky Arts Council exhibit, Kentucky Visions at The Capitol, January-March 2017.

Hometown: Louisville, Kentucky
Age: 72
Education: Bachelor’s Degree (Art education; Health & Physical education), Western Kentucky University; Master’s Degree in Arts Education, Eastern Kentucky University
Gallery Representative: Edenside Gallery (Louisville)
Website: http://www.judyrosatiphotography.com/

"Wildflower Walk in the Parklands" by Judy Rosati, 16x20in, hand colored silver gelatin photograph (2016), $125 (matted & framed) | BUY NOW — *"Wildflower Walk in the Parklands" by Judy Rosati, 16x20in, hand colored silver gelatin photograph (2016), $125 (matted & framed) | BUY NOW*

*"Parklands of Floyd's Fork in Winter" by Judy Rosati, 16x20in, hand colored silver gelatin photograph (2015)*

Vignette: James Bixler

Josh Jenkins · January 13, 2017

"15 More Minutes" by James Bixler, 14x11in, relief print (2015), $100 | BUY NOW — *"15 More Minutes" by James Bixler, 14x11in, relief print (2015), $100 | BUY NOW*

“My affinity for the color black started when I started growing into myself,” states James Bixler. “I realized recently that my attraction to the color noir was because it is a grounding, calming color. It should come to no one’s surprise that I utilize black in most of my artwork.”

"Self Portrait" by James Bixler, 12x9in, digital media print (2015), $100 | BUY NOW — *"Self Portrait" by James Bixler, 12x9in, digital media print (2015), $100 | BUY NOW*

Included here is a self-portrait that shows Bixler emerging from liquid black; inky, impenetrable, and leaving a film on his skin, the image recalls at least one famous portrait of an African American immersed in milk, - a negative reversal of sorts. It somewhat obfuscates racial identity, blurring the lines of pigmentation by removing color and forcing the viewer to rely on the supple tones and textures of the black, white, and gray tones of the photographic medium.

The play of the viscous black liquid on Bixler’s skin also reminds us that he is a Tattoo Artist at Uncle Bob's Tattoo Studio and Body Piercing in Clarksville, Indiana. It should not be surprising that a working tattoo artist would study fine art, since the medium, once considered, at best, subversive, or, at worst, cheap and trashy, has become more and more accepted in the mainstream culture, with 1 in 5 Americans sporting one or more examples of skin art, and tattoo parlors now as likely as not including a gallery space.

The dense black also dominates Bixler’s upside down Ouija board print, which, alongside his drawing of a gracefully ‘unraveling’ human skull, is suggestive of the occult, and a preoccupation with the ephemeral spirit that once resided in the latter, and may communicate with us through the former; themes of identity and mortality that never feel exhausted because there is never a definitive answer.

Age: 26
Hometown: Scottsburg, Kentucky
Education: BFA candidate, Painting and Drawing, Kentucky College of Art and Design (KyCAD), Spalding University, Louisville, Kentucky

"Untitled" by James Bixler, 19x15in, dypoint print (2015), $100 | BUY NOW — *"Untitled" by James Bixler, 19x15in, dypoint print (2015), $100 | BUY NOW*

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Vignette: Ed Lawrence

“There’s something magical about creeks for me.” — Ed Lawrence

Vignette: Judy Rosati

Vignette: James Bixler