jamestown

Drawing

Vignette: Helen Payne


“…Our identities and trajectories are shaped by tests and how testing is a reflection of power.” — Helen Payne


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Helen Payne’s ink wash drawings occupy a fluid space between representational and non-representational, ink washes built upon a solid draughtsmenship yet rendered with great immediacy. As if each one took only minutes to complete, the artist working nimbly with her brush with an economy of effort and heightened deliberation.

The drawings are part of a series that attempts to take a fresh perspective on questions if identity and the metrics of human existence. “I work in the studio creating objects and images that help me process and understand how the world works,” explains Payne. “These days, I am thinking about ways we measure and monetize our bodies and minds. My current work, The ABCs of the Weight of Measures, is an installation about how we measure and mismeasure ourselves and how what is the messiest and intensely private is often the focus of measurement. Each letter of the alphabet is the start of an acronym for a common test of human measurement, i.e. A is for APGAR; B is for BMI, and so on. The ABC of the Weight of Measures examines how our identities and trajectories are shaped by tests and how testing is a reflection of power.”

"B is for BMI, Yr width to yr girth" by Helen Payne, 11x14in, ink on paper (2016) $150 | BUY NOW

"B is for BMI, Yr width to yr girth" by Helen Payne, 11x14in, ink on paper (2016) $150 | BUY NOW

Although Payne does not specifically frame the work as self-portrait or autobiography, introspection feels at the root of her observations, although the academic motif enables her to expand the idea to a universal context to which anyone might be able to relate. There is neat balance of the intellectual and populism in the belief that we are only able to understand ourselves through such often arbitrary and artificial constructs. The commentary Payne seems to offering is not necessarily comforting, but it is a healthy challenge to our programmed notions of self.

Hometown: Jamestown, Rhode Island
Education: MFA Candidate at University of Louisville, Louisville, KY, 2019;
BA, West Virginia University, Morgantown, WV, 2000;
With additional studies at: The Maryland Institute, College of Art, Baltimore, MD, The Slade School of Fine Art, University College London, UK. Jack Kerouac School of Disembodied Poetics, Naropa Institute, Boulder, CO
Website: http://www.helenpayne.us

"E is for EQ, I love you" by Helen Payne, 11x14in, ink on paper (2016) $15 | BUY NOW

"E is for EQ, I love you" by Helen Payne, 11x14in, ink on paper (2016) $15 | BUY NOW

"Title F is for FICO, but I can't pay the rent" by Helen Payne, 11x14in, ink on paper (2016) $15 | BUY NOW

"Title F is for FICO, but I can't pay the rent" by Helen Payne, 11x14in, ink on paper (2016) $15 | BUY NOW

"A is for APGAR, You were bluish at birth" by Helen Payne, 11x14in, ink on paper (2016) $150 | BUY NOW

"A is for APGAR, You were bluish at birth" by Helen Payne, 11x14in, ink on paper (2016) $150 | BUY NOW

"W is WAIS, Wr melting, we two" by Helen Payne, 11x14in, ink on paper (2016) $15| BUY NOW

"W is WAIS, Wr melting, we two" by Helen Payne, 11x14in, ink on paper (2016) $15| BUY NOW

Written by Keith Waits. Entire contents copyright © 2017 Louisville Visual Art. All rights reserved.

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Painting

Vignette: Tom Cannady & Robert Leo Jones

Robert Leo Jones in his studio. Photo by Sarah Katherine Davis For LVA (2016).

Robert Leo Jones in his studio. Photo by Sarah Katherine Davis For LVA (2016).

Not all artists have studios outside of their home, making participation in Open Studio Weekend a different challenge. Perhaps the best solution is when one artist invites another to join them for the weekend. Robert Leo Jones and Tom Cannady have been friends long enough that he was comfortable doing exactly that. Both are painters, but the differences in their work provide a striking contrast. Jones working mostly in abstract expressionism – I can think of no painter I have recently observed who more clearly harkens back to Pollock and the ‘drip’ technique from middle 20th century American painting, while Cannady is unabashedly representational, although his sun drenched images of Americans at leisure and the predominance of vintage automobiles connect us to the same period as Jones technique.

Tom Cannady working on a painting. Photo by Sarah Katherine Davis For LVA (2016).

Tom Cannady working on a painting. Photo by Sarah Katherine Davis For LVA (2016).

Even when working figuratively, Jones’ color palette tends to darkness, so we see none of the well-lit, carefree escapades of a flourishing middle class that we find in Cannady’s images. Even though we are only looking at their work together because of circumstance, it is a tantalizing thought that the two might be working two sides of the same street; Cannady capturing the warm nostalgia for a time that seems deceptively simpler, a period that often is held up as an ideal of American morality, while Jones probes the inevitable heart of darkness lurking beneath the surface of that rose-colored memory.

 "Jamestown 1972" by Tom Cannady, 30x30in, acrylic on canvas (2016), $1200 | BUY NOW

 "Jamestown 1972" by Tom Cannady, 30x30in, acrylic on canvas (2016), $1200 | BUY NOW

Cannady currently has pieces at the Makers Crucible Showroom in downtown Louisville, and he has a solo show opening there on December 8, 2016.

Jone's work has been featured at Huff Gallery at Spalding University, Urban Design Studio, Art [squared], and currently at Take A Seat, an exhibition at the Kentucky Artisan Center in Berea, Kentucky. Although predominately a painter, Jones also works occasionally in furniture repurpose and design. His current projects are layered paintings done in acrylic on canvas or Masonite panels. 

"Three Humans" by Robert Leo Jones, 47x61in, acrylic on masonite (2015), $1950 | BUY NOW

"Three Humans" by Robert Leo Jones, 47x61in, acrylic on masonite (2015), $1950 | BUY NOW

You can visit Tom Cannady and Robert Leo Jones in Jone’s studio in Old Louisville during OPEN STUDIO WEEKEND, November 5 & 6, 2016. The event benefits scholarship programs for Louisville Visual Art and University of Louisville’s Hite Art Institute and tickets may be purchased here.

Name: Tom Cannady
Hometown: Louisville, Kentucky
Age: 58
Education: BS in Marketing and a minor in Art, Murray State University
Website: http://www.tjcannady.com

Name: Robert Leo Jones
Hometown: Louisville, Kentucky
Age: 72
Education: BS in Marketing, Kent State University
Website: http:///www.robertleojones.com

"WHAT is going on down at the Tasty Creme?!" by Tom Cannady, 60x48in, acrylic on canvas (2016), $3600 | BUY NOW

"WHAT is going on down at the Tasty Creme?!" by Tom Cannady, 60x48in, acrylic on canvas (2016), $3600 | BUY NOW

"Banyans" by Robert Leo Jones, acrylic on canvas, 9x12in (2016), $125 | BUY NOW

"Banyans" by Robert Leo Jones, acrylic on canvas, 9x12in (2016), $125 | BUY NOW

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Written by Keith Waits. Entire contents copyright © 2016 Louisville Visual Art. All rights reserved.

Please contact josh@louisvillevisualart.org for further information on advertising through Artebella.

Please contact josh@louisvillevisualart.org for further information on advertising through Artebella.