lousiville

Ceramics

Vignette: Amy Chase

"Complacency" by Amy Chase, 9x5.5x5in, Porcelain Cone

"Complacency" by Amy Chase, 9x5.5x5in, Porcelain Cone

It was recently announced that Amy Chase is one of the recipients of the 2017 Al Smith Fellowship. The prestigious award, named in honor of former arts council chair and Kentucky journalist Al Smith, recognizes professional artists who have reached a high level of achievement in their careers. Since its beginning in 1983, the program has provided more than $2.5 million in funding to artists in the visual arts, literary arts, media arts, composing and choreography. In this round of funding, the fellowships were awarded to artists in the choreography and literary arts disciplines.

Examining a selection of Amy Chase’s work, one gets the sense that a community has been built. The forms are often abstract, but the relationships are clearly drawn, and some of the figures capture very human postures and attitudes. Those figures live on various platforms, so there is always a context of isolation or separation. Sometimes characters are drawn closer, and other times they are widening the distance between them. Often, and most irresistibly, two of them (for they almost always seem to come in pairs) are connected by a slender thread, pulling on their tether in a precarious fashion that creates a delicate tension.

"Compliance" by Amy Chase, 10x8x10in, Porcelain

"Compliance" by Amy Chase, 10x8x10in, Porcelain

“The surface consists of intricate patterns that are applied using precise silkscreened slip and glazing techniques. These choices in pattern address personal experiences, while at the same time evoking the viewer’s own memories.”

Chase’s artist’s statement makes it explicit that these patterns and textures are drawn from childhood memory, so there is an undeniable element of autobiography in this work. Yet the abstraction puts us at a distance; we are empathetic because the fundamental dynamic at play resonates within our own memory. The anonymity allows us to see ourselves in this nebulous but welcoming community.

"Enticement" by Amy Chase, 3x4x3in, Porcelain, Underglaze, Luster

"Enticement" by Amy Chase, 3x4x3in, Porcelain, Underglaze, Luster

Chase is currently the Design Coordinator for Louisville Visual Art in Louisville, Kentucky. Since residing in Louisville she has also been the Ceramics Instructor and Gallery Director at Spot 5 Art Studio and taught Ceramics at Jefferson Community and Technical College. From 2010–2012 she was the Adjunct Professor of Ceramics at Southeast Missouri State University located in Cape Girardeau, Missouri.

Amy Chase has been awarded the title of ‘Emerging Artist’ by American Style magazine, has been featured in Ceramics Monthly, Clay Times, 500 Ceramic Sculptures and 500 Ceramic Vases. Chase has also has an extensive exhibition record including venues such as: The Clay Studio in Philadelphia, Pennsylvania; The Clay Studio of Missoula in Missoula, Montana; The Washington Project for the Arts in Washington D.C.; Carbondale Clay Center in Carbondale, Colorado and Lincoln Arts in Lincoln, California.

Hometown: Murray, Kentucky
Education: BFA, Murray State University; MFA, Southern Illinois University
Website: http://amychaseceramics.com

"Inclination" by Amy Chase, 8x4x3in, Earthenware, Fibers

"Inclination" by Amy Chase, 8x4x3in, Earthenware, Fibers

"Solidarity" by Amy Chase, 9x7x4in, Porcelain, Stoneware, Flocking, String, Luster

"Solidarity" by Amy Chase, 9x7x4in, Porcelain, Stoneware, Flocking, String, Luster

"Deciphering Fiction" by Amy Chase,  6x6x6in, Terracotta, Wood, String, Underglaze

"Deciphering Fiction" by Amy Chase,  6x6x6in, Terracotta, Wood, String, Underglaze

Written by Keith Waits. Entire contents copyright © 2017 Louisville Visual Art. All rights reserved.

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Painting

Vignette: Erik Orr

Artist, Erik Orr

Artist, Erik Orr

Flipping Reality On Its Head

Writer William Goldman once opined that the difference between art and popular entertainment might be that entertainment comforts, but art should unsettle us; prompt us to ask questions. Erik Orr’s paintings immediately prompt us to wonder what we are looking at: is this a painting or a photograph? When you take into account that his subjects are primarily iconic figures in popular entertainment, music, culture, comics, and videogames, then Goldman’s proposition comes under challenge. The familiarity of celebrity faces may seem to offer accessible pop pleasures, but the presentation of the artist won’t quite allow us such a cushy perspective.

In his most recent artist’s statement, Orr describes his intentions: “My more recent works use techniques that blend traditional painting through a filter of digital technology, the works create optical illusions that will make you question your own eyes. At a time when we experience our world through screens of all sizes, these works flip that reality on its head and present paintings that look as if they are digital images from afar.”

"Anthony Michael Hall" by Erik Orr, 2.5x3.5ft, acrylic on wood (2017)

"Anthony Michael Hall" by Erik Orr, 2.5x3.5ft, acrylic on wood (2017)

"River Phoenix" by Erik Orr, 3x4ft, acrylic on wood (2017)

"River Phoenix" by Erik Orr, 3x4ft, acrylic on wood (2017)

Orr builds his portraits with organic vertical lines that suggest a photograph enlarged beyond what its quality should allow, yet such a question is made almost moot in the limitless digital resolution of the moment. His work straddles the divide between digital and analog both functionally and conceptually.

“In my current show, New Work, at Revelry Boutique Gallery I intend the work to showcase the culture that has influenced me to become the artist I am today.”

Orr resides in the Highlands of Louisville Kentucky with his wife and two young children. He is employed as a Graphic Designer at a marketing company and plans to continue to grow and show his work more frequently in the coming years.

New Work runs through September 6 at Revelry Boutique & Gallery.

Age: 37
Hometown: Fairfax, Virginia
Education: Associates Degree in Communication Design, Northern Virginia Community College (NOVA); BA, Art and Visual Technology with a Minor in Art History George Mason University
Website: www.erikorr.com
Instagram: https://www.instagram.com/erik_orr/

"B-Boy" by Erik Orr, 3x3ft, acrylic on wood (2017)

"B-Boy" by Erik Orr, 3x3ft, acrylic on wood (2017)

"Twiggy" by Erik Orr, 3x4ft, acrylic on wood (2017)

"Twiggy" by Erik Orr, 3x4ft, acrylic on wood (2017)

Written by Keith Waits. Entire contents copyright © 2017 Louisville Visual Art. All rights reserved.

Are you interested in being on Artebella? Click here to learn more.

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Painting

Vignette: Shawn Marshall

Artist Shawn Marshall

Artist Shawn Marshall

It may too often be seen as a Pop Culture cliché of Modern Art, but there is genuine reality to the idea of art as a direct, frequently cathartic expression of raw emotion; perhaps a means of exorcising negative and even destructive feelings. When looking at the work of Shawn Marshall, it is easy to believe that the rich plasticity of her medium is affording her exactly this opportunity; the layered build up of paint resulting in a heavy impasto that begs to be touched, so seductive is the textured surface.

“My painting is a meditative practice,” states Marshall, “an outlet to release intuitive energy and let go of preconceived notions and self-imposed rules or judgments of how I and my work interpret and portray the world. My ‘practice’ and expression are restorative for me, and often for others, as I create what I refer to as ‘Inward Landscapes.’”

"East Side" by Shawn Marshall, 48x24x1.5in, oil on canvas (2016)

"East Side" by Shawn Marshall, 48x24x1.5in, oil on canvas (2016)

Yet for all the rough quality, there is great subtlety in the placement of mark and color. The catharsis occurs within an artistic process of discipline developed from years of experience, and an unexpectedly schematic underlying visual structure that may point to Marshall’s training as an architect, in which she holds advanced degrees.  

Marshall is the Visual Arts Teacher at North Oldham High School, Goshen, KY. In 2016 she was chosen for the 27th Annual International Juried Show, Viridian Artists Gallery, New York, NY, curated by Tumelo Mosaka, Independent Curator, former Curator at Krannert Art Museum and the Brooklyn Museum.

The next opportunity to see Marshall’s work is Inward Landscapes - a Solo Painting Exhibit by Shawn Marshall with guest sculptor Jeanne Dueber at PYRO Gallery from February 23 through April 8, 2017. There will be an Opening Reception Friday, February 24 from 6-9pm.

In March 2017 she will also be participating in Gridworks Revisited at the New Editions Gallery, Lexington, KY, and in the fall she will have work in the Contemporary Invitational Landscape Exhibit, McGrath Gallery, Bellarmine University, Louisville, KY.

Hometown: Louisville, Kentucky
Age: 48
Education: 1992, Bachelor of Architecture, University of Kentucky, Lexington, KY; 1996, Master of Architecture, Minor Fine Arts, Cornell University, Ithaca, NY; 2009, Master of Art in Teaching, Bellarmine University, Louisville, KY
Website: www.shawnlmarshall.com

"Excavating the Surface" by Shawn Marshall, 12x12x1.5in, oil on canvas (2016)

"Excavating the Surface" by Shawn Marshall, 12x12x1.5in, oil on canvas (2016)

"Storms Pass" by Shawn Marshall, 12x12x1.5in, oil on canvas (2017)

"Storms Pass" by Shawn Marshall, 12x12x1.5in, oil on canvas (2017)

"Halfway There" by Shawn Marshall, 48x30x1.5in, oil on canvas (2016)

"Halfway There" by Shawn Marshall, 48x30x1.5in, oil on canvas (2016)

"More Than a Climb" by Shawn Marshall, 24x24x1.5in, oil on canvas (2016)

"More Than a Climb" by Shawn Marshall, 24x24x1.5in, oil on canvas (2016)

"The Roots Run Deep" by Shawn Marshall, 12x12x1.5in, oil on canvas (2016)

"The Roots Run Deep" by Shawn Marshall, 12x12x1.5in, oil on canvas (2016)

Written by Keith Waits. Entire contents copyright © 2016 Louisville Visual Art. All rights reserved.

Are you interested in being on Artebella? Click here to learn more.

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