americans

Painting, Drawing

Vignette: Sunny Ra

"Radiate" by Sunny Ra, 32x48in, oil on canvas (2016), $1300 | BUY NOW

"Radiate" by Sunny Ra, 32x48in, oil on canvas (2016), $1300 | BUY NOW

Artist, Sunny Ra. Photo by Dan Lubbers.

Artist, Sunny Ra. Photo by Dan Lubbers.

In striking abstract compositions, painter Sunny Ra uses the landscape form to investigate questions of identity in both a social and highly personal context.

“The foundation of my work originates from my experience of growing up Korean in Louisville, Kentucky. I did not have any Korean friends and since I spoke little Korean and could not read or write Hangul, I was an outsider in the Korean community. Similarly, I never quite identified myself as American since I was not white, and was living among majority white Americans.  I remember people would ask me where I was from or comment on how well I spoke English. I grew up feeling and eventually believing that I did not belong anywhere - perhaps nowhere. It is from this limbo that my night landscapes emerge and my journey into the obscure and the unknown began.”

"Untitled #3" by Sunny Ra, 9x12in, pastel on paper (2016)

"Untitled #3" by Sunny Ra, 9x12in, pastel on paper (2016)

It is a common, and let’s be honest, lazy assumption to confuse an individual artist’s racial and cultural identity. Ra makes paintings with no overt ties to traditional Korean pictorial forms, and her formative culture was Middle American, so it is fascinating to hear how she connects the luxurious darkness of her imagery with an evolving personal journey. 

“In these night landscapes, I revisit my childhood memories - what has been lost and what remains. Through the application of layers of paint, the images at first recognizable, slowly evolve and merge into the abyss of the dark palette. But through the darkness emerges light and color, a new image surfaces, perhaps this is where I belong.”

Hometown: Louisville, Kentucky
Age: 35
Education: MFA, Hunter College, CUNY, 2011; BFA, University of Pennsylvania, 2005; Painting Certificate, Pennsylvania Academy of the Fine Arts, 2005
Website: http://www.sunny-ra.com

"Harvest" by Sunny Ra, 11x14in, oil on paper (2016), $450 | BUY NOW

"Harvest" by Sunny Ra, 11x14in, oil on paper (2016), $450 | BUY NOW

"Untitled #2" by Sunny Ra, 9x12in, pastel on paper (2016)

"Untitled #2" by Sunny Ra, 9x12in, pastel on paper (2016)

"Kinetic" by Sunny Ra, 14x11in, oil on paper (2016), $450 | BUY NOW

"Kinetic" by Sunny Ra, 14x11in, oil on paper (2016), $450 | BUY NOW

"Untitled #1" by Sunny Ra, 9x12in, pastel on paper (2016)

"Untitled #1" by Sunny Ra, 9x12in, pastel on paper (2016)

"Might" by Sunny Ra, 11x14in, oil on paper (2016), $450 | BUY NOW

"Might" by Sunny Ra, 11x14in, oil on paper (2016), $450 | BUY NOW

Written by Keith Waits. Entire contents copyright © 2017 Louisville Visual Art. All rights reserved.

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Painting

Vignette: Tom Cannady

"Scooch Over, Hon" by Tom Cannady, 48x60in, acrylic on canvas (2016), $3600  | BUY NOW

"Scooch Over, Hon" by Tom Cannady, 48x60in, acrylic on canvas (2016), $3600  | BUY NOW

Tom Cannady describes his paintings as, “nostalgic representations of Americana,” and he has expressed that notion primarily through the use of mid-20th century automobiles, vacation images, and signs. Iconic images filled with the sunlight and faux innocence of Frankie Avalon and Annette Funicello.

There were often people before, but they were typical – middle class Americans living the dream on a hard-earned vacation, but in newer work, Cannady introduces some of the same over-exaggerated quality that we find in the 1950’s cars: sleek, fins and detailing that call attention to themselves and remind us of a time when how a car looked mattered more than fuel efficiency, into human female figures. “They Went That Away” highlights the kind of emphatic sex symbol of the period, while “Scooch Over” completes the relationship between objectification of women and automobiles that has never left us, but which was in much greater bloom at this seminal moment.  

"OneTwoThree" by Tom Cannady, 24x36in, acrylic on canvas (2016), $1800  | BUY NOW

"OneTwoThree" by Tom Cannady, 24x36in, acrylic on canvas (2016), $1800  | BUY NOW

Cannady creates paintings in what he describes as, “a pop impressionist style creating new perspectives or recreating unique moods from another time. I use vintage photographs acquired from multiple sources as reference points and inspiration. Many were originally printed in black & white, which gives me complete freedom to choose the pallet best suited to the composition. I lean to warm, bright hues with strong contrast.”

Cannady is currently showing works at Makers Crucible Showroom and Craft(s) Gallery & Mercantile in Louisville, Kentucky. In November 2016 he was selected as one of twenty artists representing the sixty participants in the LVA Open Studio Weekend in a group show of work at the University of Louisville, Hite Gallery.

Hometown: Louisville, Kentucky
Age: 59
Education: BS in Marketing and a minor in Art, Murray State University
Website: http://www.tjcannady.com

"They Went That Away" by Tom Cannady, 36x48in, acrylic on canvas (2016), $2400 | BUY NOW

"They Went That Away" by Tom Cannady, 36x48in, acrylic on canvas (2016), $2400 | BUY NOW

"Launch Party" by Tom Cannady, 48x24in, acrylic on canvas (2016), $2400 | BUY NOW

"Launch Party" by Tom Cannady, 48x24in, acrylic on canvas (2016), $2400 | BUY NOW

"Hurry Up, Fred!" by Tom Cannady, 48x36in, acrylic on canvas (2015) $2800 | BUY NOW

"Hurry Up, Fred!" by Tom Cannady, 48x36in, acrylic on canvas (2015) $2800 | BUY NOW

Cannady's studio

Cannady's studio

Written by Keith Waits. Entire contents copyright © 2017 Louisville Visual Art. All rights reserved.

Are you interested in being on Artebella? Click here to learn more.

Are you interested in being on Artebella? Click here to learn more.