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Painting

Vignette: Andrea Alonso

"Birth of immortality" by Andrea Alonso, 48x36in, oil on canvas (2016) $1200 | BUY NOW

"Birth of immortality" by Andrea Alonso, 48x36in, oil on canvas (2016) $1200 | BUY NOW

Artist, Andrea Alonso

Artist, Andrea Alonso

Andrea Alonso’s painting, “The Birth of Immortality,” represents the birth of the tradition of Day of the Dead. The iconic celebrations now occur all around the globe, but started with the pre-Hispanic culture and Aztec mythology. Mictlantecuhtli was a god of the dead and the king of Mictlan (Chicunauhmictlan), the lowest and northernmost section of the underworld. The arrival of Spanish colonialism and the transforming influence of Catholicism brought about a merging of the beliefs that resulted in the Catrina, the Saints Day, and the Day of the Dead.

“The painting also shows that death can occur to any of us, elder and children, rich and poor,” says Alonso. The story is told by the old man of the corner, who lost his wife and is waiting for death to come for him.”

“My style emphasizes the universality of visual abstraction in highly developed compositions of patterns and forms, I try to suggest space within these geometric arrangements, and my main object is try to establish a sense of place within the painting. I think this is not common in most abstract paintings.”

"Solitary thoughts" by Andrea Alonso, 36x36in, oil on canvas (2017), $600 | BUY NOW

"Solitary thoughts" by Andrea Alonso, 36x36in, oil on canvas (2017), $600 | BUY NOW

 Currently Alonso is one of the many Louisville artists featured in the Alley Gallery public art program sponsored by the Louisville Downtown Partnership and unveiled by Mayor Greg Fischer on May 11, 2017

Alonso was one of the five finalist in ArtPrize Pitch Night in Louisville with the sculpture project “The Hole,” and is or will be exhibiting work in the EKU Center for the Arts, Lexington KY, the Andersonville 14th annual show at Chicago, IL, the “O” Gallery, Nashville TN, 5-0-LOU Gallery and, Tim Faulkner Gallery Winter show 2017, in Louisville, KY. She has paintings featured in Art Yellow Book #2, by CICA Museum, South Korea.

Hometown: Monterrey, Mexico
Age: 31
Education: Architecture degree University of Monterrey, Mexico; MBA in Administration, Rioja University, Madrid, Spain.
Website: http://www.art-ark.com

"Paranoia" by Andrea Alonso, 48x48in, oil on canvas (2017), $950 | BUY NOW

"Paranoia" by Andrea Alonso, 48x48in, oil on canvas (2017), $950 | BUY NOW

"The Date" by Andrea Alonso, 36x36in, oil on canvas (2017), $600 | BUY NOW

"The Date" by Andrea Alonso, 36x36in, oil on canvas (2017), $600 | BUY NOW

"Winter Storm" by Andrea Alonso, 30x24in, oil on canvas (2016), $260 | BUY NOW

"Winter Storm" by Andrea Alonso, 30x24in, oil on canvas (2016), $260 | BUY NOW

Written by Keith Waits. Entire contents copyright © 2017 Louisville Visual Art. All rights reserved.

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Painting

Vignette: Tom Cannady

"Scooch Over, Hon" by Tom Cannady, 48x60in, acrylic on canvas (2016), $3600  | BUY NOW

"Scooch Over, Hon" by Tom Cannady, 48x60in, acrylic on canvas (2016), $3600  | BUY NOW

Tom Cannady describes his paintings as, “nostalgic representations of Americana,” and he has expressed that notion primarily through the use of mid-20th century automobiles, vacation images, and signs. Iconic images filled with the sunlight and faux innocence of Frankie Avalon and Annette Funicello.

There were often people before, but they were typical – middle class Americans living the dream on a hard-earned vacation, but in newer work, Cannady introduces some of the same over-exaggerated quality that we find in the 1950’s cars: sleek, fins and detailing that call attention to themselves and remind us of a time when how a car looked mattered more than fuel efficiency, into human female figures. “They Went That Away” highlights the kind of emphatic sex symbol of the period, while “Scooch Over” completes the relationship between objectification of women and automobiles that has never left us, but which was in much greater bloom at this seminal moment.  

"OneTwoThree" by Tom Cannady, 24x36in, acrylic on canvas (2016), $1800  | BUY NOW

"OneTwoThree" by Tom Cannady, 24x36in, acrylic on canvas (2016), $1800  | BUY NOW

Cannady creates paintings in what he describes as, “a pop impressionist style creating new perspectives or recreating unique moods from another time. I use vintage photographs acquired from multiple sources as reference points and inspiration. Many were originally printed in black & white, which gives me complete freedom to choose the pallet best suited to the composition. I lean to warm, bright hues with strong contrast.”

Cannady is currently showing works at Makers Crucible Showroom and Craft(s) Gallery & Mercantile in Louisville, Kentucky. In November 2016 he was selected as one of twenty artists representing the sixty participants in the LVA Open Studio Weekend in a group show of work at the University of Louisville, Hite Gallery.

Hometown: Louisville, Kentucky
Age: 59
Education: BS in Marketing and a minor in Art, Murray State University
Website: http://www.tjcannady.com

"They Went That Away" by Tom Cannady, 36x48in, acrylic on canvas (2016), $2400 | BUY NOW

"They Went That Away" by Tom Cannady, 36x48in, acrylic on canvas (2016), $2400 | BUY NOW

"Launch Party" by Tom Cannady, 48x24in, acrylic on canvas (2016), $2400 | BUY NOW

"Launch Party" by Tom Cannady, 48x24in, acrylic on canvas (2016), $2400 | BUY NOW

"Hurry Up, Fred!" by Tom Cannady, 48x36in, acrylic on canvas (2015) $2800 | BUY NOW

"Hurry Up, Fred!" by Tom Cannady, 48x36in, acrylic on canvas (2015) $2800 | BUY NOW

Cannady's studio

Cannady's studio

Written by Keith Waits. Entire contents copyright © 2017 Louisville Visual Art. All rights reserved.

Are you interested in being on Artebella? Click here to learn more.

Are you interested in being on Artebella? Click here to learn more.