tradition

Painting

Vignette: Andrea Alonso

"Birth of immortality" by Andrea Alonso, 48x36in, oil on canvas (2016) $1200 | BUY NOW

"Birth of immortality" by Andrea Alonso, 48x36in, oil on canvas (2016) $1200 | BUY NOW

Artist, Andrea Alonso

Artist, Andrea Alonso

Andrea Alonso’s painting, “The Birth of Immortality,” represents the birth of the tradition of Day of the Dead. The iconic celebrations now occur all around the globe, but started with the pre-Hispanic culture and Aztec mythology. Mictlantecuhtli was a god of the dead and the king of Mictlan (Chicunauhmictlan), the lowest and northernmost section of the underworld. The arrival of Spanish colonialism and the transforming influence of Catholicism brought about a merging of the beliefs that resulted in the Catrina, the Saints Day, and the Day of the Dead.

“The painting also shows that death can occur to any of us, elder and children, rich and poor,” says Alonso. The story is told by the old man of the corner, who lost his wife and is waiting for death to come for him.”

“My style emphasizes the universality of visual abstraction in highly developed compositions of patterns and forms, I try to suggest space within these geometric arrangements, and my main object is try to establish a sense of place within the painting. I think this is not common in most abstract paintings.”

"Solitary thoughts" by Andrea Alonso, 36x36in, oil on canvas (2017), $600 | BUY NOW

"Solitary thoughts" by Andrea Alonso, 36x36in, oil on canvas (2017), $600 | BUY NOW

 Currently Alonso is one of the many Louisville artists featured in the Alley Gallery public art program sponsored by the Louisville Downtown Partnership and unveiled by Mayor Greg Fischer on May 11, 2017

Alonso was one of the five finalist in ArtPrize Pitch Night in Louisville with the sculpture project “The Hole,” and is or will be exhibiting work in the EKU Center for the Arts, Lexington KY, the Andersonville 14th annual show at Chicago, IL, the “O” Gallery, Nashville TN, 5-0-LOU Gallery and, Tim Faulkner Gallery Winter show 2017, in Louisville, KY. She has paintings featured in Art Yellow Book #2, by CICA Museum, South Korea.

Hometown: Monterrey, Mexico
Age: 31
Education: Architecture degree University of Monterrey, Mexico; MBA in Administration, Rioja University, Madrid, Spain.
Website: http://www.art-ark.com

"Paranoia" by Andrea Alonso, 48x48in, oil on canvas (2017), $950 | BUY NOW

"Paranoia" by Andrea Alonso, 48x48in, oil on canvas (2017), $950 | BUY NOW

"The Date" by Andrea Alonso, 36x36in, oil on canvas (2017), $600 | BUY NOW

"The Date" by Andrea Alonso, 36x36in, oil on canvas (2017), $600 | BUY NOW

"Winter Storm" by Andrea Alonso, 30x24in, oil on canvas (2016), $260 | BUY NOW

"Winter Storm" by Andrea Alonso, 30x24in, oil on canvas (2016), $260 | BUY NOW

Written by Keith Waits. Entire contents copyright © 2017 Louisville Visual Art. All rights reserved.

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Drawing

Vignette: Sarah Johnson


“Iconography has given me the opportunity to undergo a reflection and transformation…”
— Sarah Johnson


"The Holy Trinity" by Sarah Johnson, 14x22in, graphite on paper (2017)

"The Holy Trinity" by Sarah Johnson, 14x22in, graphite on paper (2017)

At this point, it is fair to say that all art speaks to tradition; even the most radical work usually sees Dadaism as an ancestor. There was a time when virtually the only way to make a living as an artist was to create religious imagery – the church was one of the only paying customers, and private collectors rarely wanted secular art, except for portraits. Iconography is not always religious, but the use of recurrent symbols and themes in churches arguably laid the foundation of how we think about such things. Sarah Johnson here picks up that tradition in designs that show fealty to the rigid, highly symmetrical compositional formula that were essential in this work, but with a soupcon of individual interpretation in the details of character.

“I have the opinion that art is supposed to reflect to its audience a message,” says Johnson. “I believe art has a very significant role to play in our daily and personal lives as well as having the capacity to influence our entire culture, spiritually and politically. The best examples of that kind of art have one thing in common: it touches the soul. I have a strong desire to share my belief and perspective and Iconography has given me the opportunity to undergo a reflection and transformation and to learn a time-tested medium. I aim to continue in my study in Iconography.”

So Johnson’s images are unabashedly ecclesiastical; a personal expression of spirituality rooted in the long and rich historical traditions employed by some of the greatest artists the world has known: Leonardo, Michelangelo, Raphael, not to mention untold numbers whose specific identity has been lost to time.

Hometown: Maysville, Kentucky
Age: 32
Education: Studied at the Art Academy of Cincinnati
Website: http://www.sarahcatherinejohnson.wordpress.com

"Christ Pantocrator" by Sarah Johnson, 14x22in, graphite on paper (2017)

"Christ Pantocrator" by Sarah Johnson, 14x22in, graphite on paper (2017)

"Archangel Michael" by Sarah Johnson, 14x22in, graphite on paper (2017)

"Archangel Michael" by Sarah Johnson, 14x22in, graphite on paper (2017)

"Saint Andrew" by Sarah Johnson, 14x22in, graphite on paper (2017)

"Saint Andrew" by Sarah Johnson, 14x22in, graphite on paper (2017)

Written by Keith Waits. Entire contents copyright © 2017 Louisville Visual Art. All rights reserved.

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Print Making, Mixed Media

Vignette: Susan Moffett


“The rhythm of this work is integrated with the presence of music and dance in my life.”
– Susan Moffett


A photograph of Susan Moffett in her studio.

A photograph of Susan Moffett in her studio.

Music is so often, if not always, an integral part of the life of a visual artist. Besides being a highly respected printmaker and teacher, Susan Moffett is also a “Caller” for contra and square dances, and now is playing the fiddle. If we might characterize such pursuits as folk music crossed with precision of execution, it would be perhaps be a fair description of the work we see here.

The tradition and protocol of printmaking includes labored technique, process, and the notion of limited editions of prints pulled by the artist to their exacting standards, but we find Moffett abandoning those for what she calls the, “the freedom and spontaneity of woodcut monoprints. Instead of a traditional series of perfected prints with a consistent image, I opt to use the block prints in an intuitive exploration of organic forms, creating rhythm within and relationships between the prints. Small prints are repurposed in relationships of color, density and repetition, to make a larger installation.”

Although Moffett is too educated and sophisticated in her sensibilities to be labeled a folk artist, there is an elemental quality in these latest images. Yet, because they are densely textured and highly detailed, they are also complex. We often find such tension at the heart of art that is compelling, a balance of contrasting themes and aesthetic that seems the honest, organic result of genuine discovery. 

"Moonlight in the Forest" by Susan Moffett, 19x14in, relief monoprint collage, $375 | BUY NOW

"Moonlight in the Forest" by Susan Moffett, 19x14in, relief monoprint collage, $375 | BUY NOW

Moffett is Professor Emeritus of Fine Art at Indiana University Southeast where she taught Printmaking, Drawing, and Art Appreciation for many years. She teaches private drawing and printmaking lessons. 

"Seasonal Rhythms" by Susan Moffett, 42x54in, relief Monoprint Installation, $2,250 | BUY NOW

"Seasonal Rhythms" by Susan Moffett, 42x54in, relief Monoprint Installation, $2,250 | BUY NOW

Moffett is a founding member of PYRO Gallery in Louisville, where she is currently exhibiting with Wendi Smith and Marilyn Whitesell in Ex-Faculty; New, Renewed and Repurposed through November 26, 2016. She has exhibited throughout the United States as well as abroad in Ireland, Poland and Australia. Her work is in numerous public and private collections including:

Selected Collections
• Evansville Museum of Arts and Science, Evansville, IN
• Hyatt Regency, Louisville, KY
• Brown-Forman Distillers Corp., Louisville, KY
• The Kentucky Foundation for Women, Louisville, KY
• Wyatt, Tarrant & Combs, Louisville, KY
• University of Dallas, Irving, TX
• The University of Tennessee, Knoxville, TN
• Owensboro Museum of Art, Owensboro, KY
• The University of South Florida, Tampa, FL

Hometown: Dallas, TX
Age: 66
Education: MFA, Northern Illinois University, 1977; Texas Tech University, 1973
Gallery Representation: Pyro Gallery (Louisville) Ro2 Art (Dallas)
Website: http://www.susanmoffett.com

"Seasonal Rhythms (detail)" by Susan Moffett

"Seasonal Rhythms (detail)" by Susan Moffett

"Cool Flow, Fall," by Susan Moffett, 14x20in, relief monoprint collage, NFS

"Cool Flow, Fall," by Susan Moffett, 14x20in, relief monoprint collage, NFS

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Written by Keith Waits. Entire contents copyright © 2016 Louisville Visual Art. All rights reserved.

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