It is where Art Sanctuary now makes its home. The 26,000 square foot space seemed well suited to the two-fold mission to house individual artist’s studios and rehearsal/performance space. It came equipped mostly with potential, and multiple loading doors into a wide, high-ceilinged space and a second floor. The group started with just a few spaces, but it wasn’t long before landlord Becker opened up more space for them, until, in stages, they had a lease on the entire building. “Dennis has been terrific,” remarks Frye. “It really feels like he is on our side, and wants us to succeed.”
Baker estimates that Steele has personally been responsible for about 90% of the work that has been accomplished: “He envisioned the space as what it has become, built the stage, installed the fire-rated doors, designed and built the rolling gallery walls. He fixed everything that needed fixing, found deals on what we were missing, did all the heavy lifting - literally.” Frye concurs wholeheartedly: “Without Frankie, we would not be a fraction of what we are today.” Now the board numbers seven, with approximately sixty visual and performing artists involved.
The current entrance is from McHenry Street, on the southeast side, and this half of the building is devoted to visual art, with a spare gallery space and photography studio for rent by the hour on the first floor, and individual studio spaces upstairs. Many of the occupants are painters: Rita Cameron, Sabra Crockett, Victoria Klotz, Brittni Pullen, Kelly Rains, Shahn Rigsby, Nancy Ann Sturdevant, and Charlotte Pollock to name a few, mixed media artists Michael Braaksma, and Kate Mattingly, ceramicist Sarabeth Post, photographers Frankie Steele and Tony Dixon, can also be found there, and even one playwright and free-lance journalist who also works the arts and culture beat, Eli Keel.